Tag: Stratford Festival 2014

Stratford Ends Its Season On A High Note with The Beaux Stratagem:

Stratford Ends Its Season On A High Note with The Beaux Stratagem:

beaux214665608489_7b8c5c95e8

Photo: Michael Cooper

STRATFORD — We’re only minutes into the Stratford Festival’s splendid revival of George Farquhar’s 1707 comedy, The Beaux Stratagem when we’re presented with the first of many sublimely funny moments.

Mike Shara (extreme right of the photo)  one of those rare actors who can wear fancy dress with confidence, is an amiable opportunist named Aimwell whose mission in life is to find and marry a wealthy heiress. At this moment, he’s in an inn and brooking danger to his health by sampling a flagon of the local ale. Shara’s reaction to his first taste of this lethal brew is all flaying limbs and gasping, gulping horror — yet it’s carried out with the kind of spontaneity that underlines this fine actor’s mastery of physical comedy.

Read More Read More

Christina Casts its Spell At Stratford Despite Problematic Script:

Christina Casts its Spell At Stratford Despite Problematic Script:

christina14657240068_d069ed086e

Jenny Young and Graham Abbey. Photo Cylla Von Tiedemann

STRATFORD — She bursts onto the stage of the Tom Patterson Theatre with cyclonic force, a female fury in the elegant garb of a male. But don’t assume we’re getting another variation of a trouser role here.
This not a case of actress Jenny Young simply dressing up like a man. She’s not just making like a 17th Century tomboy. It’s a moot point as to whether she voraciously inhabits the character of Sweden’s endlessly fascinating Queen Christina or whether Christina has taken occupancy of her. The bottom line is that she seizes our attention immediately as — all attitude — she starts berating a hapless court booby named Karl Gustav for his attempts to ravish her.
What comes through here with burning intensity is the forthright young queen’s revulsion at the thought of any intimate contact with a male. Indeed, as Young’s Christina spells out details of Karl’s attempted seduction, we wouldn’t be surprised if she upchucked before our eyes at any moment.

Read More Read More

Mother Courage: Stratford’s Seana McKenna offers a tough and memorable performance.

Mother Courage: Stratford’s Seana McKenna offers a tough and memorable performance.

courage14239298694_2f7db37b9b

Seana McKenna as Mother Courage. Carmen Grant as Kattrin. Photo. David Hou 

STRATFORD, Ont. — The image is unforgettable — this drab, middle-aged, grey-haired mother trudging endlessly through her chosen landscape of war and misery and dubious fiscal opportunity, hauling her battered peddler’s wagon behind her, her only concern the survival of herself and her grown children.
Watching a production of Brecht’s Mother Courage And Her Children, you can’t easily label the play’s title character as a testament to the resilience of the human spirit. Well, perhaps you can in those productions where the play is allowed to turn soppy and sentimental and tug on our emotions — an approach that infuriated playwright Bertolt Brecht but one that still tempts directors disdainful of his alienation theories.
History tells us that when Mother Courage premiered in Zurich some 70 years ago, some critics approvingly commented on the maternal qualities of its central character. Brecht’s enraged response was to rewrite the play to make her even harsher. Heaven help any treatment that allows her to enlist our sympathies.
But of course, she does — regardless of what Brecht might have wanted. However callous she may seem to an outside world, she still has an inner life, and in any good performance, we’re going to be conscious of it.
In the Stratford Festival’s astonishing new production, we’re riveted by the scene in which Seana McKenna’s Mother Courage is forced to gaze down on the corpse of her son, Swiss Cheese, and deny any knowledge of him. She has no other course if she is to avoid arrest and death herself at the hands of the military thugs who killed him. So, without a visible tremor of emotion, she gives her answer — no, she does not know him.

Read More Read More

Crazy For You: Gershwin musical triumphs at the Festival!

Crazy For You: Gershwin musical triumphs at the Festival!

crazy13959629828_9e588f5c32

Photo: Cylla von Tiedemann

STRATFORD, Ont. —  “Who could ask for anything more?”
Lyricist Ira Gershwin got it right when he was supplying the words for brother George’s irresistible music for I Got Rhythm.
But you could pretty much apply them to the whole experience of watching the Stratford Festival’s hugely entertaining production of Crazy For You.
The line comes at the climactic moment of one of the great songs in the Gershwin canon — a number that at Stratford erupts into a rambunctious explosion of song and dance in the gun-slinging Nevada town of Deadrock. It’s a feel-good moment, one of many bestowed on us by director choreographer Donna Feore and her wonderful cast. And it wasn’t the only time that you wanted to stand up and cheer at Tuesday night’s opening performance.

Read More Read More