Tag: Ottawa Fringe Festival 2018

Piaf & Brel: the Impossible Concert is a delight to the ears.

Piaf & Brel: the Impossible Concert is a delight to the ears.

Piaf & Brel   with Melanie Gall. Photo from the Ottawa Fringe Festival

French chanteuse Edith Piaf and Belgian singer Jacques Brel, two giants of romantic music in the 20th century, never shared the stage together nor even met in their lifetimes. This simple historical fact does not phase Melanie Gall, an internationally-acclaimed vocalist who brings the most famous songs by these two artists together in a performance titled Piaf and Brel: The Impossible Concert. The result is a thoroughly enjoyable and engaging musical, accompanied by insights into the two singers’ lives and Gall’s own unique (read: humorous) experiences as a performer.

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A Girl in the Fridge pokes fun at comic book conventions!

A Girl in the Fridge pokes fun at comic book conventions!

 

Dead Unicorn Ink, by Patrice Forbes

With the advent of blockbuster superhero films and the MeToo movement, the place of women in these films and their original source material (comic books) is receiving ever greater scrutiny. A Girl in the Fridge, created and directed by Patrice Forbes and produced by Dead Unicorn Ink, attempts to investigate this very concern and bring awareness to how the media we consume influences our attitudes in real life. Centering around Eve (Forbes), a PhD student who is doing her dissertation on the treatment of women in comic books, the show is able to make its case without being overly preachy. While the show sometimes has Eve recounting statistics about the fates that various female characters face (her observation that comics offer a way for people to live out violent fantasies is particularly astute), it also lets these facts be played out in the story onstage rather simply stating them.

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Will what happened in Sparta stay in Sparta?

Will what happened in Sparta stay in Sparta?

 

Pierre Brault The Last Spartan, Photo from the Ottawa Fringe Festival

The Last Spartan, Produced by Jamine Ackert, Written and performed by Pierre Brault

Imagine a state in which one of the most important trials takes place around the role of art in society. Where lawyers and prosecutors debate the value of art to the social order. Got a picture? Probably not. So, think Sparta, renowned as the warrior nation.  In point of fact, a city state so bent on birthing the perfect warrior that newborns deemed unlikely to fulfill that future job description are hustled off to the windy side of the mountain and left to die. Ok, so, in Sparta, the right to bear arms with distinction is what gives the collective body politic its tick.

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.. like nobody’s watching tackles loneliness and a bad Tom Hanks obsession

.. like nobody’s watching tackles loneliness and a bad Tom Hanks obsession

Photo thanks to the Ottawa Fringe Festival
Like Nobodys Watching.

Reviewed by Ryan Pepper

Some dramatists create love letters to the things they admire. …like nobody’s watching doesn’t give the audience a love letter but an unhealthy delusion to the Tom Hanks classic Cast Away, and to castaway movies in general. This Robinsonade solo show by Jake Simonds is a cerebral production about the nature of loneliness.

The play opens with the bearded, curly-haired, scantily clad Simonds trying to start a fire the same way Tom Hanks does it in Cast Away. After toiling fruitlessly, his basketball begins talking to him. Pretty soon, the pair strikes up a conversation about Castaway. This play isn’t just a conscious Cast Away remake though, but a serious meditation upon the film. After the opening scene, Simonds addresses the audience directly as he discusses why Tom Hanks spends half of Cast Away off the desert island and in society, but that nobody ever seems to remember that, or care. This soliloquizing about the movie goes on for almost fifteen minutes, as he meticulously recreates the famous ‘rain scene’ from the end of the film, in which Tom Hanks’s character and his wife, now remarried, share one final kiss.

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Josephine Baker: an uplifting, engaging, and inspiring performance.

Josephine Baker: an uplifting, engaging, and inspiring performance.

Josephine Baker (Tymisha Harris)  Photo thanks to the Ottawa Fringe

 

They bill this as a burlesque cabaret but it goes far beyond that form because it actually tells us of  the entire life of this remarkable Afro-American woman, played by Tymisha Harris.  Harris does not really imitate Josephine but rather captures her multiple styles of dance and singing, various forms of theatricality and  the different  creative moments  in her life as she evolves from the poor areas of  St Louis Missouri  through several  marriages until she  finally accepts an invitation to Paris to perform in the” Revue Nègre”  in 1925.  That move to France will change her life.

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