25 1919 France: Pure performance cycle that continues through eternity !
25 – 1919 Paris France is billed as a “performance event ”- even a play if you wish, by Elliot Delage . It can only be called a work in progress, far from even seeking some sort of ending (ateleological!) because although the movements are absolutely precise, the structure flounders all over space and time. Barely going beyond brief encounters or fleeting dialogues between two actors who change their emotional interaction, exchange each others clothes (no this is not Brechtian at all) flip from actors to those who are pretending to be someone else or trying to be an existing being. …