Tag: Gladstone Theatre 2012

November: a nasty poltical satire that has director J.P. Kelly going for the jugular to produce excellent performances by all!

November: a nasty poltical satire that has director J.P. Kelly going for the jugular to produce excellent performances by all!

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Steve Martin as Chief of Staff Archer Brown. Photo by David Pasho

This vicious satire of American politics by the author of Oleanna and Speed-the- Plow is one of the high points of the local English language season. It certainly came at the proper time, following as it did on the heels of Obama’s re-election after a very tight race. The play keeps throwing out references to 2008, the year Obama beat George W. Bush at the polls and it seems clear that Mamet felt compelled to vent his anger, his disgust, his frustration and his total disdain for this man who had already spent too many years as the leader of the American people. The portrait is devastating.

Set in David Magladry’s beautiful little box set, this is a tightly constructed play by one of the masters of contemporary American drama. It takes place in President Charles Smith’s Oval office during the election campaign. His rantings about his failing popularity, the plummeting polls and his unwillingness to accept the inevitable, are highlighted by his wife’s constant phone calls (Mamet loves phone calls that interrupt at the worst moments). He obsesses about leaving a “liberry” full of books about his own legacy as President and is infuriated by the absence of his speech writer Bernstein, whom he drags back from her holidays and drills when he needs her to rewrite American history in order to take vengeance on the Turkey breeders of America so that no one will buy their birds. All the while the war in Iraq is raging and Iranian (?) diplomats are trying desperately to get him on the phone. His perverted vision of history is certainly not for the faint of heart but it confirms everything else we learn about this abominable creature.

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Engaging Evening of Stones in His Pockets But the Play’s Serious Intent is Not Quite Captured.

Engaging Evening of Stones in His Pockets But the Play’s Serious Intent is Not Quite Captured.

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Dynamic duo of Gélinas and Counsil. Photo Andrew Alexander

There’s no denying that actors Richard Gélinas and Zach Counsil are an engaging double act in this new production of playwright Marie Jones’s international stage hit about the impact of a Hollywood film crew on a rural Irish community. They’re capable of working together as smoothly as a pair of fingers on the same hand, they have a deft way with comedy, and they serve the needs of the play with their ability to define a character with a few broad strokes.

That latter gift is essential here. These able performers are not just being called upon to portray the droll and jaundiced Jake Quinn (Gélinas) and the bouncily optimistic Charlie Conlon (Counsil), two locals who have been hired as extras on the film. They’re required to work much harder than that and also serve up an additional gallery of characters which include Irish labourers, neurotic filmmakers and a seductive Hollywood diva named Caroline Giovanni.

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