Speed the plow : a high-powered performance by Teri Loretto-Valentik and her team.
David Mamet’s play, first produced in 1988 with Madonna playing the single feminine role, has lost none of its bite, its irreverence – to put it mildly – its male capitalist energy, and the power of its dialogue that shoots back and forth as though the actors were riddling each other with machine gun spray. Director Teri Loretto-Valentik has captured the high powered rhythm of Mamet’s intense exchanges.