Pardon Me, Prime Minister, directed by Josh Kemp. Photo: Maria Vartanova
Should you think about going to see Pardon Me, Prime Minister, currently playing at Ottawa Little Theatre, be warned.
This weak and dated farce by Edward Taylor and John Graham, first performed in 1979, is not connected to the fine television comedy series Yes Minister and Yes, Prime Minister — except by trying to force a link through its title.
The plot — if that is not too strong a word for the creaking storyline — is transparent and the climax (again too strong a word for something that is more fizzle than sizzle) is discernible well before the end of the first scene.
In the tradition of British farce, cast members rush through assorted doors and females strip to their underwear, on at least one occasion for absolutely no reason. Sadly, the OLT production features some of the ugliest and most unflattering undies that do nothing to enhance the appearance of the three young women who must wear them. And, while considering the costuming, it might also have been a good idea to spring for three similar dresses in three different sizes, instead of making do with one, for the three actresses of different body types, who must wear them. Along the way, this would also set up an amusing replication of outfits for the curtain call.
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