Tag: 1000 islands Playhouse 2016

New Play “In a Blue Moon” a hit in Gananoque

New Play “In a Blue Moon” a hit in Gananoque

Frankie

Photo: David Cooper

Blue Moon by Lucia Frangione, directed by Daryl Cloran.

The world premiere of Canadian playwright Lucia Frangione’s new play “In a Blue Moon” is definitely worth a trip to Gananoque. It tells the story of Ava, a widow, (Anita Wittenberg), and her six-year-old daughter Frankie, (Emma Tow – Miss Wittenberg’s real-life daughter), who move to an inherited cottage. There they find Will, (Brett Christopher), a free-lance photographer and Ava’s brother-in-law, already in residence. As their relationships change and grow, we find ourselves increasingly caught up in their emotions and lives.

Drew Facey’s abstract and creative wooden cottage is backed by a giant moon. The cottage has an upper level which functions as both a bedroom and the roof. There’s also a free-standing and very slammable door. The moon is used as a screen for Conor Moore’s terrific projections and his lighting is also very good. John Gzowski’s music and sound are very effective and the costumes, designed by Marian Truscott, are just fine. I loved Frankie’s pajamas.

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Tuneful Patsy Cline in Gananoque

Tuneful Patsy Cline in Gananoque

Tyler Murree, Alison MacDonald and David Archibald; Photo: Barbara Zimonick
Tyler Murree, Alison MacDonald and David Archibald; Photo: Barbara Zimonick

A Closer Walk with Patsy Cline
By Dean Regan
Produced in association with Western Canada Theatre, Kamloops, BC
Directed by Daryl Cloran
1000 Islands Playhouse

I’m not sure what to say about “A Closer Walk with Patsy Cline” by Dan Regan, except that it’s not really a musical. It’s more a terrific concert or night club act.  Loosely structured as a radio show tribute to Patsy Cline, it’s emceed by Little Big Man, played by the energetic and versatile Tyler Murree. We see Patsy, the excellent Alison MacDonald, only in performance, never in her off-stage persona.  A few sparse biographical details are supplied by Little Big Man.  Entertaining diversions are added by the insertion of old radio commercials for Mr. Clean and Ajax, performed by Little Big Man and the great on-stage band.

Ross Nichol’s versatile set has a raised broadcast booth stage right, the 4-piece band is on raised platforms center, and the whole framed stage left by two dimensional giant radios.  There’s a scrim up center on which are projected the names of the various venues where Patsy performs.  Of Patsy’s multiple costumes by Jayne Christopher, by far the most flattering is the Act II long black gown.  Davida Tkach’s lighting is good and Ben Malone’s sound is excellent and well balanced.

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