Tag: 1000 Islands Playhouse 2014 Gananoque

Two Gentlemen of Verona: Prescott’s Production of Shakespeare sparkles!

Two Gentlemen of Verona: Prescott’s Production of Shakespeare sparkles!

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Photo by   Andrew Alexander. Perfoming are Warren Bain & Quincy Armorer

A sparkling and witty production of Shakespeare’s “The Two Gentlemen of Verona” is running in rep with “The Tempest” at the St. Lawrence Shakespeare Festival in Prescott, Ontario. If you’ve never seen what is possibly Shakespeare’s first comedy, this is a good production to start out on. Director Ian Farthing has made judicious cuts and tweaks that clean up some problems with the script, particularly the awkward dénouement. He’s also set the play in the late 1920s, a perfect period for this light-hearted tale of friendship versus passion.

Andrea Robertson Walker has designed a background set of panels painted with soft pastel colors in art deco style. There’s a gauzy curtained entrance up center. The musicians are visible throughout on the center platform. Vanessa Imeson has designed great period costumes in shades of white, cream and beige with deco-like accents of black and brown. She’s even come up with what are often neglected – wonderful period shoes for both the men and women.

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Driving Miss Daisy: A Smooth Ride at the 1000 Islands PLayhouse in Gananoque

Driving Miss Daisy: A Smooth Ride at the 1000 Islands PLayhouse in Gananoque

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Walter Borden as Hoke & Nicola Lipman as Miss Daisy .  Photo: 1000 Islands Playhouse

The 1000 Islands Playhouse has opened its season in the Springer Theatre with a solid production of the Pulitzer Prize-winning play, “Driving Miss Daisy” by Alfred Uhry.   “Driving Miss Daisy” begins in 1948 and spans 25 years in the lives of Daisy Werthan, a feisty Jewish widow, her son Boolie, and Hoke, her new African-American chauffeur hired by her son.  It’s a play about ageing, tolerance, understanding, friendship and ultimately love.  Daisy’s relationship with Hoke begins when Boolie has to deal with the universal dilemma of what to do about an elderly relative who shouldn’t drive.  A series of fairly brief scenes, separated by varying lengths of time, follow this evolving relationship over the course of the twenty-five years. “Driving Miss Daisy” balances sadness with humor and Daisy’s anger at ageing with Hoke’s infinite patience and capacity to listen.

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