Shrek the musical:Orpheus lands a show of stunning quality and great visuals!
Book and lyrics by David Lindsay-Abaire; Music by Jeanine Tesori/ Based on the Dreamworks animation motion picture and the book by William Steig
Orpheus Musical Theatre Society directed by Jenn Donnelly
A terrific production can make a believer out of a curmudgeon of a reviewer who has always hated body-noise and bathroom jokes. No doubt about it.
Orpheus Musical Theatre Society‘s Shrek the Musical overcomes the limitations of the script, the generally unmemorable score and assorted loud belches and regular breaking of wind to land a show of stunning quality and great visuals. It also offers a low-key presentation of the message that love and acceptance come in many forms.
The tale — originally a children’s picture book (1990), then, in 2001, an award-winning animated movie that inspired the 2008 stage musical — revolves around a fearsome swamp-dwelling green ogre who rescues a princess. In sync with once-upon-a-time land, the princess is imprisoned in a tower and guarded by a fire-breathing dragon.
And the magnificent dragon of the Orpheus production is a showstopper. Manipulated by four puppeteers, the imposing dragon makes an impact comparable to that of the acclaimed horse puppets in Nick Stafford’s stage adaptation of the Michael Morpurgo novel War Horse.
Such other images as the highly disciplined dance routines, as choreographed by Mary Hills, smooth set changes and almost every other aspect of director Jenn Donnelly’s vision make Shrek a visual delight, as well as giving a clear indication of her background as a successful set designer.
Fine performances from the principals make the show sparkle. Damien Broomes, as the fast-talking donkey, maximizes the fun in his role, while the always reliable Réjean Dinelle-Mayer demonstrates that control does not depend on tall stature. (It is also impossible not to feel some sympathy for an actor who is brought to his knees from beginning to end.)
As the adult Princess Fiona, Vivian Melsness is in good voice, particularly as a Morning Person, and she and Justin Hills, in the title role, connect beautifully in I Think I Got You Beat. While Hills makes his Irish-accented ogre a surprisingly soft-natured monster, he delivers a consistent characterization. (The name is drawn from the German word for fright (schreck).) As Pinocchio, Jamie Rice has the unenviable task of pitching his singing voice so high that he is difficult to understand, but he remains convincing about his desire to be a real boy.
The overall impression, enhanced by the orchestra, under Gabriel Leury’s direction — and made clear by the close attention of the many children in the audience — is of the joy that this knockout of a production brings to everyone on and off stage.
A perfect gift for a “green” holiday season./Shrek The Musical continues at Centrepointe to November 26.
Reviewed by Iris Winston
Director: Jenn Donnelly
Musical director: Gabriel Leury
Choreographer: Mary Hills
Set: Jenn Donnelly and Tony Walker
Sound: John Cybanski
Lighting: Amber Hood
Costumes: Sandy Goldsmith
Cast:
Shrek Justin Hills
Donkey Damien Broomes
Princess Fiona Vivian Burns Melsness
Lord Farquaad Réjean Dinelle-Mayer
Pinocchio Jamie Rice
Gingy/Sugarplum Fairy Meagan Chapin
Dragon/Bo Peep Jerusha Lewis
Young Shrek/Knave of Hearts Alison Cachero
Young Fiona/Wee Willie Winkie Michelle Sangalli
Teen Fiona/Ugly Duckling Brietta Howard
Mama Ogre/Mother Goose Donna St. Jean
Papa Ogre/Straw Paul Melsness
Sticks Jared Langdon
Bricks Rick Burk
Papa Bear Jim Tanner
Mama Bear Kelly Fuoco
Baby Bear Vanessa Monteiro
Guard Captain Marcus Winchester
Big Bad Wolf/Bishop John Leclaire
Shoemaker’s Elf Tanya Guimond
Fairy Godmother Laura Burk
Wicked Witch Roxane Delisle
Pied Pipe Bebe Brunjes
Mad Hatter Morgan Coughlan
Peter Pan Bennett Langdon
John Darling Hailey Quiquero
Tin Soldier Luc Cormier
Marionette Mélanie Evans
Rat Dancer Courtney Dinelle-Mayer
Orchestra
Conductor Gabriel Leury
Bass………………………………………………………………Tom Mcmahon
Cello……………………………………………………………..Steve Smith
Drums…………………………………………………………….Pierre Huneault
Guitars Pierre Forêt, Pierre Monfils
Horn………………………………………………………………Keith Estabrooks
Keyboards Steve Pankiewicz, Cheryl Jarvis-Woods
Percussion………………………..Brydone Charlton
Reed Brian Boggs, Matt Dawber
Trombone Chris Thiessen
Trumpet Kazimier Samujlo
Violins Sophia Pan, Galina Rezaeipoura