Footloose: Orpheus Musical etc etc
photo: Andrew Alexandre
The best reason for the Orpheus Musical Theatre Society’s choice of Footloose as its season opener is that the large-cast musical offers numerous opportunities for young performers to display their talents. The worst reason is that the storyline is painfully thin and the premise is highly implausible.
Based on the 1984 musical, the stage version opened on Broadway 14 years later and hung on for over 700 performances. In a similar category to Rent, Grease and other teenage-angst style of shows, it is simply not of the same quality as the other two (this from someone who is not enamoured of either Rent or Grease). In addition to the weakness of the Footloose script, most of the music is forgettable and the conclusion is obvious from the outset.
Set in Bomont, a bible-thumping small town in the backwaters of the U.S., the local minister, Rev. Moore, has convinced local lawmakers to outlaw dancing, which, like alcohol and drugs, he claims, was in part responsible for a car crash that killed four of the town’s teenagers (including his son).
When Ren McCormack and his financially strapped mother are deserted by his father, they must move from Chicago to stay with her sister and brother-in-law in Bomont. When Ren connects with the minister’s rebellious daughter, Ariel, the fight for the freedom to dance is on.
The irony is that Footloose is primarily a dance musical. It is, therefore, a relief that Gabe Wolinsky’s choreography in the Orpheus production sparkles and that the high-energy ensemble numbers are performed with precision. And, as Ren, Mathieu –Philippe Perras really kicks up his heels.
While few of the musical numbers are memorable, under musical director Wendy Berkelaar, they are generally well presented and some of the voices, particularly Rebecca Abbott’s and Donna Castonguay’s, more than make up for the silliness of the script.
The closest to a showstopper is the Mama Says number, sung by Willard (Phillip Merriman and his sidekicks. The trio of Rusty (Abbott), Wendy Jo (Stephanie Stroud) and Urleen (Andrea Black) does an excellent job of maintaining the flow and Courtney Vezina as Ariel is convincing as the Moore’s rebel daughter ready to do anything to get out of town.
Director Shaun Toohey appears to have concentrated the show’s energy on the younger cast members, because most of the older performers (partly because of the script) are lightly drawn ciphers that fade into the background and lack the energy that the younger cast members project in spades. Sadly, this sometimes includes Rev. Moore (Ken Tucker) despite his fine singing voice. His characterization just does not give the impression that he can influence an entire town to do his bidding.
The most depressing aspect of the show is that Toohey opts for a cheap laugh by allowing one of the characters to simulate a solo sexual act — an unnecessary crudity, especially in view of the number of pre-teen children in the audience.
On the other hand, the clever staging of Holding Out for a Hero and Cindy Beaton’s comic cameo on roller skates are fun. However, despite Nancy Solman’s efficient set design, the show drags, particularly in Act I. The only scene that comes close to being moving is the encounter between Ren and the minister when they both recognize that they must come to terms with the loss of a loved one. Here is a moment that goes deeper than the general shallowness of the rest of Footloose.
The Orpheus Musical Theatre society production of Footloose continues at Centrepointe Theatre to December 2.
Director: Shaun Toohey
Musical director: Wendy Berkelaar
Choreographer: Gabe Wolinsky
Set: Nancy Solman
Lighting: John Solman
Sound: John Cybanski
Costumes: Richard Clement
Cast:
Rev. Shaw Moore |
Ken Tucker |
Vi Moore |
Donna Castonguay |
Ariel Moore |
Courtney Vezina |
Ren McCormack |
Mathieu-Philippe Perras |
Ethel McCormack |
Debbie Millett |
Lulu Warnicker |
Alison Foley Howard |
Wes Warnicker |
Michael Schilder |
Coach Roger Dunbar |
Rob Singlehurst |
Eleanor Dunbar |
Liane Wray |
Rusty |
Rebecca Abbott |
Urleen |
Andréa Black |
Wendy Jo |
Stephanie Stroud |
Chuck Cranston |
Brennan Richardson |
Lyle |
Brandyn Mascall |
Travis |
Drake Evans |
Betty Blast |
Cindy Beaton |
Principal Harry Clark |
Lawrence Evenchick |
Willard Hewitt |
Phillip Merriman |
Jeter |
Jordan King |
Bickle |
Andrew Portolesi |
Garvin |
Alex William Brunjes |
Cowboy Bob |
Dave Rowan |
Adult Ensemble: |
Andrew Botros, Mary Connelly, Michelle Dennis, Tim Hillock, Sally McIntyre, Shawn Smith, Jim Tanner |
Teen Ensemble: |
Tessa Bangs, Mary Bernadette Belanger,Danielle Denisko, Hayley Doelman, Peter Doherty, Greg Fenelon, Tanika Johnny Gauntts, Sarah Marks. Jacob Roberts, Dave Rowan, Jeremy Sanders, Sierra Slegtenhorst, Tasia Loeffler Vulpe, Evan Welchner |
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