Fiddler on the Roof: A Tevye with heart
Photo. Alan Dean
It is close to 50 years since Fiddler on the Roof debuted on Broadway and it remains one of the best-loved musicals of all time. Through its initial run in 1964, which garnered numerous Tony awards, it became the first Broadway show to top 3,000 performances. As well as becoming a popular movie in 1971, it has been the subject of a number of revivals on Broadway and in London’s West End, a wide assortment of professional and community productions across the English-speaking world and music from the show is a regular part of bar and bat mitzvah celebrations.
Based on the stories about Tevye the milkman by Sholem Aleichem, first published in 1894, Fiddler on the Roof by Joseph Stein, with music by Jerry Bock and lyrics by Sheldon Harnick, focuses on Tevye’s vain attempt to maintain Jewish tradition in a changing world. In addition to dealing with each of his three oldest daughters moving further away from the accepted custom of the father selecting appropriate husbands for them, he and his fellow villagers face expulsion from their home during a pogrom.
Given that Fiddler is very much Tevye’s show, a production can survive uneven performances, missed lines, technical difficulties and issues with direction, musical direction and choreography, provided that the central character is played with warmth, understanding, heart and joy.
All of the above happens in the Suzart production of Fiddler. While there are a number of problems with the production as a whole, Laurie Dickson is in his element as Tevye. Running the gamut from mischievous to moving, he delivers a thoroughly believable characterization (drawing in part, as he mentions in the program bio, from his own familial experience).
Among the other strong performers are Tom Kobolak as the rejected suitor, Lazar Wolfe, and Lynn Harper-Ciarroni as the gossipy Yente. And the beauty of Julia Brown’s singing voice is simply a showstopper.
Director Kraig Paul Proulx has inserted some interesting effects, such as members of the chorus moving through the auditorium with (electric) candles as they sing and the ghost of Fruma Sarah wearing lengthy extensions on her arms during the dream sequence.
On the other side of the ledger, he has not managed to instill sufficient confidence in some cast members for them to be at the top of their potential. This is particularly true for Arlene Watson, who seems ill at ease in the role of Golde. In addition, the love stories of Tzeitel, Hodel and Chava and their partners Motel, Perchik and Fyedka would be much more effective with more feeling in evidence.
Part of the problem is that the stage of the Centrepointe Studio theatre is far too small to accommodate a 40+ cast and 12-piece orchestra comfortably. It stymies attempts at dance numbers and keeps people shuffling when they should be moving with intent and spirit.
Yet, despite the space limitations, Elaine McCausland has designed a very workable set. Any unevenness of tempo on opening night was caused by microphone breakdowns, general sound and lighting glitches and awkward pauses occasioned by forgotten lines, not by the efficient set changes.
In general, however, the strength of the book, music and lyrics of Fiddler on the Roof, together with a fine Tevye, are reason enough for the enthusiastic audience response to the Suzart production.
Suzart Productions’ Fiddler on the Roof played at Centrepointe Studio Theatre from May 24 to 26. This is Suzart’s tenth anniversary season.
Fiddler on the Roof
Book by Joseph Stein
Music by Jerry Bock
Lyrics by Sheldon Harnick
Suzart Productions
Director: Kraig Paul Proulx
Musical director: Catherine Spear
Choreographer: Emma Deeks
Set: Elaine McCausland
Lighting: Tesh Subramanian
Sound: Morgan Coughlan
Costumes: Colleen Sloan
Cast:
Tevye…………………………………………………………..Laurie Dickson
Golde…………………………………………………………..Arlene Watson
Tzeitel………………………………………………………….Emi Lanthier
Hodel…………………………………………………………..Julia Brown
Chava…………………………………………………………..Sarah Dee
Shprintze……………………………………………………….Katie Shepherd
Bielke…………………………………………………………..Maya Ruckenstein
Motel…………………………………………………..………Jay Landreville
Perchik…………………………………………………………Liam Gosson
Fyedka………………………………………………………….Jamie Rice
Lazar Wolfe……………………………………………………Tom Kobolak
Yente……………………………………………………………Lynn Harper-Ciarroni
Rabbi……………………………………………………………Adam Goldberg
Grandma Tzeitel………………………………………………..Nadine Levin
Fruma-Sarah……………………………………………………Joy Bowerman
Mordcha………………………………………………………..Marc Lessard
Constable………………………………………………………Johannes Ziebarth
Avram………………………………………………………….Travis Pender
Boris……………………………………………………………Alex Shepherd
Mendel…………………………………………………………Stefan Vidovic
Shaindel………………………………………………………..Kerry-Lee Faulkner
Nachum the Beggar……………………………………………Kevin Fowler Dacey
Sasha…………………………………………………………..Megan Hulan
The Fiddler…………………………………………………….Chad Wolfe
Chorus:
Lindsay Allen, Joy Bowerman, Ross Couchman, Tricia Curtis, Kevin Fowler Dacey, Clayton Dignard, Lesley Hammil, Valerie Houston, Megan Hulan, Kyla Kenny, Sadie Laflamme Snow, Nadine Levin, Adam Linton, Alison Manning, Jackie Roy, Rachel Rumstein, Shelagh Salisbury, Anna Seguin, Tara St. Pierre, Calvin Ziebarth, Zachary Ziebarth