Enron: Flashy gimmicks fail to hide weak script
Lucy Prebble has taken on a lot in her play Enron, about the energy giant whose name has become synonymous with systematic, paneed out corporate fraud. The play tries to cover the rise of the corporation, the characters involved in it, as well as the impact its demise had on the workers. There are raptors representing the shadow companies Enron used to unload its losses onto and there are musical numbers. Add to this bobble-head president stand-ins and you have a meandering mess of elements that fail to come together in a script that not only takes too much, but doesn’t know what it actually wants to say about its chosen theme. Director Ron Jenkins creates a slick production with some interesting elements, but he was ultimately fighting a losing battle with material that lacked substance.
Credit should be given to Jenkins for giving this production his best go. The direction is smooth and flashy with some very appropriate blocking. Jenkins isn’t afraid to use the full performance space, which makes the performance more dynamic. Likewise, the way the reports sometimes slithered up to the main characters, Jeffrey Skilling (played by Dmitry Chepovetsky) and his financial sidekick Andy Fastow (Eric Davis) was creepy and gave an ominous sense of foreboding. The functional set, designed by Brian Smith, was multi-leveled and ultra modern, with pillars at the back the cast move in and out of. Michael Walton’s lighting design added a touch of drama to the play, but didn’t quite match creations he has done in the past, such as An Slowly Beaty…
Dmitry Chepovetsky as Jeff Skilling, the genius and mastermind behind the action at Enron is a bit one dimensional. Chepovetsky doesn’t quite flesh out the character, making it hard to find any kind of sympathy or understanding for him. Eric Davis plays CFO Andy Fastow with more subtlety, offering more range. We understand that, although practically morally bereft, Fastow is still a human with different sides to him. I particularly enjoyed Joey Tremblay’s Ken Lay as the CEO and Chairman of Enron. His leisurely southern drawl and strut were exactly what one would expect form a rich businessman who is slightly removed from the real world, but plays one heck of a golf game with the heavy hitters of Washington politics. Tremblay manages to infuse him with some warmth.
The problem with Enron is that it never really finds its stride or meaning. Although the production does its best to bring out the play’s good elements, it ultimately falls flat because, for all its length and complexity, the play actually has very little to say about its subject matter. No amount of musical numbers or raport heads can hide the fact that, at its core, much like Enron, the play rests on an empty foundation without much to say for itself.
Enron
By Lucy Prebble
National Arts Centre English Theatre
Director: Ron Jenkins
Set and costumes: Brian Smith
Lighting: Michael Watson
Sound: Matthew Skopyk
Choreographer: Laura Krewski
Videos: James Nesbitt
Cast:
Claudia Roe/Board Mouse/Trader…………………….Petrina Bromley
Lawyer/Board Mouse/Trader/Raptor etc……………..Christine Brubaker
Jeffrey Skilling………………………………………..Dmitry Chepovetsky
Board Mouse/Trader/Analyst etc. …………………… David Coomber
Andy Fastow/Funeral guest…………………………..Eric Davis
Board Mouse/Skilling’s daughter/Raptor etc…………Leah Doz
Trader/Arthur Anderson/Lehman Brother etc………..Sheldon Elter
Trader/Journalist/Court Officer etc…………………..Quancetia Hamilton
Board Mouse/Trader/Raptor etc………………………Eliza-Jane Scott
Ken Lay/Lehman Brother etc…………………………Joey Tremblay