Category: Theatre in Ottawa and the region

B+ for School of Rock

B+ for School of Rock

Photo Matthew Murphy. School of Rock Book by Julian Fellowes,  lyrics by Glenn Slater new music and orchestrations by Andrew Lloyd Webber, Based on the Paramount movie. Directed by Laurence Connor, Broadway Across Canada

The great pity is that this high-energy rock musical is largely unintelligible. From flashing lights and the smoke of dry ice to booming sound, all the accoutrements of a rock concert are in place, but only rarely are the song lyrics or even the dialogue distinguishable.

Read More Read More

The Last Five Years: Poignant tale of a failed marriage

The Last Five Years: Poignant tale of a failed marriage

Written and Composed by Jason Robert Brown
Originally Produced for the New York stage by Arielle Tepper and Marty Bell, Orpheus Musical Theatre Society. Directed by Kodi Cannon

From the joy of meeting to the unravelling of love and back again, The Last Five Years is a poignantly told tale of a failed marriage.

As always with broken relationships, communication breaks down. And in his semi-autobiographical chamber musical — inspired by his failed marriage — author Jason Robert Brown emphasizes the inability to connect by its unusual structure.

Read More Read More

Don’t Dress For Dinner: a dinner date not worth keeping

Don’t Dress For Dinner: a dinner date not worth keeping

Don’t Dress for Dinner  By Robin Hawdon

Adapted from Marc Camoletti’s French farce Kanata Theatre

Directed by Peter Williams

The kindest comment about Don’t Dress for Dinner is that it makes Marc Camoletti’s better known sex farce Boeing-Boeing look good. Although playwright Robin Hawdon’s adaptation/translation of Camoletti’s 1991 formulaic repeat was a West End success in its early years, it is very much a poor sibling. It’s also a reminder that without superb performances and first-class timing the sexual fling fantasies of yesteryear belong in the past. They are just not particularly funny in 2018.

Read More Read More

The Virgin Trial speaks clearly across the centuries to our time

The Virgin Trial speaks clearly across the centuries to our time

 

Anie Richer and Lydia Riding in a scene from The Virgin Trial. Photo: Andrew Alexander.  Posted on Artsfile.ca

At one point in The Virgin Trial, Kate Hennig’s fleet, modern-day crime drama about Queen Elizabeth I as a teenager, the future monarch proclaims, “I can be anything I set my mind to.”

It sounds like a variation on that silly bromide, “You can be anything you choose to be.” However, in the case of young Bess, as she’s known to all and sundry, it’s a fact. Indeed, a young woman’s resolute creation of herself in the face of gargantuan odds – read, a power structure embedded in older, predatory males – is what gives Bess’s story as told by Hennig its sharp, contemporary urgency.

Read More Read More

The Virgin Trial: a gritty political crime drama.

The Virgin Trial: a gritty political crime drama.

 

The Virgin Trial   Photo Andrew Alexander

Kate Hennig’s The Virgin Trial is a must-see gritty political crime drama that upends expectations of innocence and victimhood

The Great Canadian Theatre Company’s production of The Virgin Trial by Canadian playwright Kate Hennig is a stunning gritty political crime drama that centers on a treason scandal in the young Queen Elizabeth I’s life that forces the audience to grapple with ideas of innocence and victimhood in a nuanced way.

Read More Read More

The Virgin Trial: blending of historical fact and modern dress is noteworthy

The Virgin Trial: blending of historical fact and modern dress is noteworthy

 

Photo Andrew Alexander

The Virgin Trial By Kate Hennig. GCTC  Directed by Eric Coates

Violence, political and religious intrigue and power seizures were the norm through much of the Tudor era. From peasant to prince, marriages were economic unions focused on increasing land holdings and influence.

Rumours swirled around those in power, those who sought power and those about to be imprisoned in the Tower of London for interrogation and torture. Perhaps they were guilty. Perhaps, they had merely chosen the wrong side at the moment.

Read More Read More

Two paws up for Sylvia

Two paws up for Sylvia

Sylvia Photo Maria Vartanova

 

Sylvia By A.R. Gurney,  Ottawa Little Theatre

Directed by Chantale Plante

Full disclosure first: The bookcase by my window has a full row of dog books with a day-by-day dog calendar on top. My dog is sitting on a chair beside me as I write and, of course, I talk to her (and to my cat – fairness in all things) all the time.

So, I have no trouble accepting A.R. Gurney’s premise in his 1995 play Sylvia that the other woman in Greg’s life has four legs.

Read More Read More

OLT’s Sylvia is a five-woof winner

OLT’s Sylvia is a five-woof winner

Sylvia Photo Maria Vartanova

 

The thing to remember about the late A.R. Gurney’s charming comedy, Sylvia, is that it’s a love story — admittedly an unorthodox one, but a love story nonetheless.

On the one hand we have Greg, a Wall Street financier heading for a mid-life crisis. On the other hand hand we have Sylvia, the irrepressible pooch he has encountered in the park. In rescuing her from the threatening embrace of the Animal Control brigade and bringing her back to his apartment, he earns Sylvia’s unconditional love.

Read More Read More

The Virgin Trial. This Virgin was born to rule the stage

The Virgin Trial. This Virgin was born to rule the stage

The Virgin Trial Photo Andrew Alexander: Lydia Riding as Bess.

Kate Hennig’s The Virgin Trial is a stunner of a play. Hennig’s whip cracking dialogue, laced with tart humour, is delivered with precision by a uniformly excellent cast taking the audience on a perilous journey through the fecund hedge maze of sexual desire and political intrigue.  Based on the pre-Queen adolescent life of Elizabeth the First, or Bess, played with vibrating intelligence by Lydia Riding, The Virgin Trial mines history for its known facts, and takes flight;

Read More Read More

Cloudburst : the arrival of a bright new actor on the Ottawa scene

Cloudburst : the arrival of a bright new actor on the Ottawa scene

Cloudburst Photo Maria Vartanova. Stella, Dotty and Prentice:  Maureen Quinn McGovern, Arlene Watson and Jason Hopkins

By Thom Fitzgerald, TotoToo Theatre.  Directed by Sarah Hearn

My colleagues have already expressed their admiration for this production and I can only agree with their opinions. Not that this was a surprise because Toto Too is in the habit of giving us excellent performances under the steady hand of inspired and creative  directors and Cloudburst was no exception.

Read More Read More