At one point in The Virgin Trial, Kate Hennig’s fleet, modern-day crime drama about Queen Elizabeth I as a teenager, the future monarch proclaims, “I can be anything I set my mind to.”
It sounds like a variation on that silly bromide, “You can be anything you choose to be.” However, in the case of young Bess, as she’s known to all and sundry, it’s a fact. Indeed, a young woman’s resolute creation of herself in the face of gargantuan odds – read, a power structure embedded in older, predatory males – is what gives Bess’s story as told by Hennig its sharp, contemporary urgency. …
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