Photo: Gadi Dagon
At first, we are intrigued by the evolution of these young bodies in space: disarticulated, disjointed, straining muscles in unusual directions, in opposition to what happens to bodies executing existing dance steps. Dance has repossessed the human body in a way that makes unhuman demands on the living human creature and opens a new world.
Choreographed at first as individuals, each dancer crawls, lopes, twists, leaps, floats in from the wings, opposing the rhythms and movements of the preceding dancer, just to give us the feeling of the enormous possibilities of the human body in this investigation of what can take place in a performance space. Then groups form and reform, as all around them the fluttering and twisting of slim, elongated and finely muscular creatures jerking in and out, up and down, below and above, create a parallel dialogue with the electronic sound effects and highly dramatic music. There is so much excitement, so much activity that our gaze keeps shifting around the stage, picking up individual movements, noticing other bodies regrouping, almost as though we were watching the trembling of some nervous cellular activity under an intense microscope.
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