Category: Arts News

Festival Quatre Chemins Entretien avec Guy Régis Jr.

Festival Quatre Chemins Entretien avec Guy Régis Jr.

 

guy régisGuy Régis Jr. a pris la direction artistique de ce festival en 2014, à la suite  de la Fokal, qui l’avait fondé à la demande d’artistes haïtiens: comédiens, musiciens, plasticiens, réunis en collectif, sous la houlette de Daniel Marcelin, metteur en scène et directeur du Petit Conservatoire jusqu’à sa fermeture en 2014. Le jeune artiste revenait d’un séjour de six ans en France. « J’ai quitté Haïti, dit-il pour croiser mon travail avec d’autres artistes, ici, je continue ».

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Lady Macbeth rejoint l’Inde médiévale : Anjali à l’Université d’Ottawa

Lady Macbeth rejoint l’Inde médiévale : Anjali à l’Université d’Ottawa

Les 1 et 2 décembre 2017 (vendredi et samedi), à 19h30, Anne-Marie Gaston, mieux connue sous le nom d’Anjali, son nom d’artiste, va présenter Lady Macbeth, un spectacle unique de théâtre dansé à la Cours des Arts, dans la salle ODD, au 2 avenue Daly (près de l’université).

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Difficult for the Uninitiated, but Technically Brilliant: L-E-V’s OCD Love

Difficult for the Uninitiated, but Technically Brilliant: L-E-V’s OCD Love

Kellie MacDonald. Criticism class of Patrick Langston. November 18, 2017

From Israel-based dance company L-E-V, co-Artistic Directors Sharon Eyal and Gai Behar present OCD Love at the National Arts Centre’s Babs Asper Theatre. At roughly 55 minutes without intermission, the performance is an exploration of love and obsessive compulsive disorder set to the metronomic ticking of DJ Ori Lichtik’s soundscape. OCD Love keeps audiences on the edge with writhing choreography and repetitive bass-thumping house music.

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L-E-V OCD : Dancing the Pain Away

L-E-V OCD : Dancing the Pain Away

Emily Blake,  November 26th 2017

In Patrick Langston’s criticism class.  

 

Silence speaks louder than words, and in that silence is all the meaning in the world. LEV’s OCD Love is a powerful commentary on what it like to be plagued by OCD, shedding light on the realities of those who are faced with this disorder every day. LEV is an Israeli dance company founded by choreographer Sharon Eyal and Gai Behar. They are joined by techno musician Ori Lichtik, working together to create this hypnotic masterpiece.

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NAC French Theatre: Gabriel Dumont’s dream of a Wild West Show realized for the stage

NAC French Theatre: Gabriel Dumont’s dream of a Wild West Show realized for the stage

Patrick Langston, artsfile.ca preview
October 12, 2017

Johnathan Lorenge.the Wild West Show

A scene from Gabriel Dumont’s Wild West Show produced by the NAC’s French Theatre department. Photo  Johnathan Lorenge.

 

Gabriel Dumont would be intrigued. Dumont, the ally of Louis Riel and leader of the Métis forces during the 1885 North-West Rebellion against the Canadian government, fled Canada for the U.S. after the rebellion was quashed and Riel hung.

In the U.S., he joined Buffalo Bill’s Wild West show, but he didn’t stick for long. However, it turns out he did dream of creating something similar in Canada to spotlight the struggle of the Métis people to reclaim their rights.

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Capital Critics Circle Presents its awards for the 2016-17 theatre Season in Ottawa

Capital Critics Circle Presents its awards for the 2016-17 theatre Season in Ottawa

Vigilante,  Best professional production. Photo by David Cooper

Photo: Maria Vartanova

Photo: Maria Vartanova Best Community  production: Other Desert Cities

 On November 14,  about 200 members of the Theatre community of  the nation’s capital gathered in the Salon of the National Arts Centre for the nineteenth  annual  theatre awards presented by the Capital Critics Circle, for plays presented in English in the National capital region. As Nathan Medd, managing director of the National Arts Centre English theatre stated, this is the only event in the city which brings together members of  community,  professional and student  theatre groups who rarely mingle but who have  equally strong traditions  in Ottawa.

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Student review: Voices from the Front

Student review: Voices from the Front

source-for-Voices from the Frong
photo courtesy of Plosive Theatre

Natasha Lomonossoff from the theatre criticism class of Patrick Langston at the University of Ottawa

With exceptional vocal performances and material inspired by letters of Canadian soldiers at the front of the two world wars, Plosive Productions’ work Voices from the Front strikes a tone that is both realistic and touching. The play, a work co-created by Teri Loretto-Valentik and John Cook and directed by the former, is presented in the tradition of the Gladstone’s annual radio play and narrates the experience of war in the format of a radio broadcast. The staging aspect of this format, however, takes a back seat to the letters and speeches which are read out loud to the audience; it is the delivery of these in which the show derives most of its emotional strength.

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Student review” ” Voices from the Front”, The Radio Show : Remembering the Voice

Student review” ” Voices from the Front”, The Radio Show : Remembering the Voice

Taylor Stewart  in the Theatre Criticism class of Patrick Langston.

Voices from the Front: The Radio Show is a pure, emotional power house that commemorates the brave men and women of the Canadian military. It delivers a performance as powerful as a a service at a Cenotaph yet is wholly different.

The show was written by John Cook and Teri Loretto-Valentik from the letters of Canadian Soldiers during World War I and II. This is a piece of verbatim theatre, meaning the majority of the text is preserved as it was written by the individuals who originally wrote the letters; however, they have been added to for the purpose of a flowing narrative or filling in details that would add to the fiction of the show. Using these letters Cook and Loretto-Valentik have created the characters of Will Cooper and his son, Wilfred Cooper. The two are enlisted men serving in WWI and WWII, respectively. The show consists primarily of the actors reading the letters that Will and Wilfred have written to their families.

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Capital Critics Circle announces annual theatre awards

Capital Critics Circle announces annual theatre awards

Vigilante,   Photo by David Cooper,                        Best professional production
Photo: Maria Vartanova
Photo: Maria Vartanova
Other Desert Cities

 
The Capital Critics Circle today announced the winners of the nineteenth annual theatre awards for plays presented in English in the National Capital Region during the 2016-2017 season. The winners are:

Best professional production:    Vigilante written, composed and directed by Jonathan Christenson, Catalyst Theatre, in association with the NAC.

Best production community:  Other Desert Cities by Jon Robin Baitz, directed by Geoff Gruson, Ottawa Little Theatre

Best director professional: Esther Jun for her direction of The Last Wife

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The Elephant Girls – Celebrating 100 Performances

The Elephant Girls – Celebrating 100 Performances

Margo MacDonald
Margo MacDonald

The Elephant Girls turns 100!

Come see The Elephant Girls and help us celebrate 100 performances of this multi-award winning show. One Night Only!

The Elephant Girls premiered at the Ottawa Fringe Festival in 2015 where it broke box office records, won rave reviews, and all the top awards. The show has been touring in Canada and overseas ever since. Now as Margo MacDonald reaches an amazing one hundred performances, we look forward to presenting The Elephant Girls in its hometown to celebrate. Come see the show, then stay for drinks and a Q&A session with creator/performer Margo MacDonald and director Mary Ellis.

“Without doubt, they were the most notorious girl gang Britain’s ever seen.”
(Brian McDonald, Gangs of London)

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