Buddy: The Buddy Holly Story, a fun, toe-tapping experience
Any rock musical that’s worth its salt needs catchy tunes that will engage and excite the audience. Buddy: the Buddy Holly Story, the musical created by Alan Janes that’s based on the life of American rock pioneer Buddy Holly, is certainly no exception to this; it’s jam-packed with many hit songs from Holly and other major singers of the 1950s. With this repertoire, the rendition of this musical produced jointly by 1000 Islands Playhouse and Western Canada Theatre (from Kamloops, BC) and directed by James MacDonald is nothing short of impressive.
MacDonald’s production features a highly talented cast who are equally capable of playing multiple instruments as they are acting and singing. The deliberate effort on the part of the director and performers to include the audience as much as possible in the show (presenting the old radio shows and music festivals as if they’re happening in the current moment) further helped to ensure engagement and attention.
Following the story of the young rock icon from his beginnings in Lubbock, Texas to his tragic death in a plane crash with two other musicians (later immortalized in Don McLean’s song “American Pie”), Budd features the personal and professional challenges Holly faced as well as the conflicts between different kinds of music in which he took the rebel side on: principally, between country and rock, and ‘white’ and ‘coloured’ music. While Holly’s story is certainly an inspiring and compelling one, it is really the music which carries this production along and gives it power. It is also what best demonstrates Holly’s status as a pioneer of rock.
Nathan Carroll’s performance as the title character is stellar – complete with the signature glasses, he gives off a well-crafted impression of Holly. His visible facial expressions and expressive movements (such as excitedly jumping around when a local radio host decides to helps Holly form a band) further help in creating vividness to his character. Even more, his singing of Holly’s classic tunes consistently is remarkably steady and holds its own against the many instruments onstage. Other particularly good portrayals come from Nick Fontaine as fellow icon Ritchie Valens, Sheldon Bergstrom as larger-than-life “Big Bopper” (J.P. Richardson), Montgomery Bjornson as the delightedly Texan DJ Hipockets Duncan, and Hal Wesley Rogers as Apollo Theatre host Tyrone Jones. The vocal performances of each of the cast stand out, however, as do their ability to play instruments as diverse as banjos and saxophones.
Most of the elements on the technical front served to enhance the musical’s atmosphere. A combination of imaginative but not too complicated sets by Robin Fisher (such as the cut-out window from a wall in record producer Norman Petty’s living room to show his studio) with colourful and scenic lighting by Rebecca Picherack help to provide a sense of place to the events and concerts taking place onstage. The only aspect which momentarily interrupts the illusion is the rather long scene changes wherein the moving of set pieces is visible even on the darkened stage. While a bit cumbersome, they do not ultimately detract from the overall smooth staging of the show.
The final thing which makes this production special is its performers’ engagement with this audience and efforts to increase the show’s immediacy (such as a radio host at the beginning thanking the theatre’s real-life sponsors and another urging the audience to look in their programs for a winning orange card later on). A delightfully local and Canadian production about an American rock icon, Buddy: the Buddy Holly Story is one which keeps the toes tapping throughout!
Buddy: the Buddy Holly Story continues until July 21. For show times and tickets, see http://www.1000islandsplayhouse.com/buddy-holly/ or call the box office at 613-382-7020