Les Passants: Co-production suggests we are all together in modern, alienated world
If everyone feels like an outsider, then is anyone actually an outsider? Les Passants – an engagingly adventurous, vignette-based co-production by GCTC and le Théâtre la Catapulte – doesn’t address that question directly, but in presenting its cavalcade of funny, poignant and vulnerable characters, people whose inner lives are constantly at odds with the outer world, it certainly suggests we are all together in this messy, often unhappy business of modern-day alienation.
Wobbly at the outset, the production soon enough gains traction as playwright Luc Moquin’s script unrolls in French with English surtitles. Four actors – Mélanie Beauchamp, Benjamin Gaillard, Andrée Rainville and Yves Turbide – play multiple characters, with Keith Thomas’s soundscape often becoming a character itself. That soundscape can be intensely disquieting, becoming at times a kind of howling white noise that underscores Moquin’s concern with the clamour of distraction that smothers our ability to think, judge and communicate about anything outside the ephemeral.
Caught up in this universe of fevered inconsequentiality, Moquin’s characters ricochet about, trying to connect with each other, with themselves, with anything that would provide a quiet, safe harbour. They fail to do so, of course, sometimes in exceedingly funny fashion. Such is the case when a couple, having attended some kind of flaky get-in-touch-with-yourself-and-each-other session, performs an interpretative dance meant to express the emotions they’ve long kept tamped down. It’s an absurd exercise in self-absorption, a cure that’s worse than the illness, but also the kind of lazy solution to a deep existential calamity that’s so appealing precisely because it entails little real effort or risk. …
