Author: Natasha Lomonossoff

Student preparing her Ph.D In English at Queens University.She will be covering the 1000 islands Playhouse in Gananoque, and all theatre in the Kingston Area as well as some local Ottawa performances.
Betroffenheit: An emotional spectacle which transforms the power of dance

Betroffenheit: An emotional spectacle which transforms the power of dance

Betroffenheit   Photo Mike Burton

 Reviewed by Natasha Lomonossoff on Saturday April 7, 2018

Betroffenheit, a creation by renowned Canadian choreographer Crystal Pite and writer Jonathon Young, is at once a powerful visual and emotional spectacle. A well-executed combination of dance and theatre, the production explores the difficult subjects of trauma and addiction through searing and imaginative physical manifestations of one’s inner demons. A co-production between Pite’s (also the director) Kidd Pivot group and Young’s Electric Company Theatre, Betroffenheit has received critical acclaim since it premiered at Panamia in Toronto three years ago. Indeed, it’s a pity that it played at the Babs Asper Theatre in the NAC for only two nights (April 6 and 7 respectively), since this production is easily one of the more unique offerings in the organization’s dance program.

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A Streetcar Named Desire: Challenging subject matter tackled adeptly

A Streetcar Named Desire: Challenging subject matter tackled adeptly

A Streetcar Named Desire  Photo Maria Vartanaova: Stanley and Blanche

Reviewed by Natasha Lomonossoff on March 22, 2018

As a theatre usually known for staging pleasant comedies and murder mysteries, the Ottawa Little Theatre’s current production of the classic American drama by Tennessee Williams, A Streetcar Named Desire, marks a promising new direction for it. Directed by Sarah Hearn, this production captures much of the essence of Williams’ script without whitewashing the difficult subject matter and periodic violence that is seen onstage. Strong performances by the cast and skillful scenic techniques (especially the projected backdrop and unique use of light) further augment the theatrical experience of the play.

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