Author: Capital Critics Circle

This section is reserved for Arts News that comes our way via press releases from theatres in the area, or newspaper articles about arts events that are not theatre reviews.
Patrick Langston writes: Isn’t the play the thing after all?

Patrick Langston writes: Isn’t the play the thing after all?

Published on: April 27, 2015
THE OTTAWA CITIZEN

NOTE: This opinion by Patrick Langston does not  represent the opinion of the CCC site as a whole. A.R.

Maybe it’s time we just got the show on the road.

If you’re a habitué of English live theatre in Ottawa, you may be as fed up as are some other audience members by the conventions that, on opening nights, precede the moment actors actually take the stage.

Those conventions involve words of welcome, and usually not just a few, by an artistic director or other representative. The chats almost never offer insight into the show and, with the odd exception, have become so generic as to be meaningless.

At the National Arts Centre, the welcome extends to recognition of Algonquin Elder Annie Smith St. George and her family when they are in the audience. She has helped guide NAC English Theatre’s fostering of Indigenous programming. Also recognized is the fact that the NAC is on “unceded Algonquin territory.”

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Un obus dans le coeur » : mort et renaissance dans le silence de la mère

Un obus dans le coeur » : mort et renaissance dans le silence de la mère

  Commentaire de Roland Sabra, paru dans Madinin-art.net

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C’est un Unmoment d’émotions d’une rare intensité que nous a offert Hassane K. Kouyaté en programmant Un obus dans le coeur, le magnifique texte de Wadji Mouawad interprété par Julien Bleitrach qui signe la mise en scène avec Jean-Baptiste Epiard. C’était une nuit. Une nuit de rage. Une tempête sur la ville et dans la tête. Il neigeait et elle agonisait sur un lit d’hôpital.  

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Take Me Back to Jefferson -Faulkner Lives at the NAC

Take Me Back to Jefferson -Faulkner Lives at the NAC

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Photo: Barb Gray.

“Take Me Back to Jefferson” adapted by Michele Smith and Dean Gilmour from William Faulkner’s novel “As I Lay Dying” gradually draws one in and becomes mesmerizing. Played on a bare stage with minimal props, the cast of seven brings to life Faulkner’s gothic tale of a dirt-poor Mississippi family’s odyssey to bury their matriarch Addie in her old home.

This is true ensemble theatre and all the actors are both strong and physically accomplished. The patriarch Anse is powerfully played by Dean Gilmour with the slippery ease of an unconscious natural con man and terrific body language. His oldest son Cash, (Dan Watson), provides his own vocal sound effects as he builds his mother’s coffin, and we come to believe we see it. Next in line Darl, (Julian De Zotti), holds himself in tight control till he finally snaps. Jewel, (Ben Muir), gives a remarkable performance with his beloved horse as he becomes not only the rider but also the horse.

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GCTC Artistic Director Eric Coates Launches New Season 2015-2016.

GCTC Artistic Director Eric Coates Launches New Season 2015-2016.

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Paul Rainville and Eric Coates in George Walker’s The Burden of Self Awareness from the 2013-2014 Season. Photo: Andrew Alexander

Artistic Director, Eric Coates, Managing Director Hugh Neilson and associated artists took to the stage at the Irving Greenberg Theatre Centre to introduce GCTC’s new season for 2015-2016. Eric Coates is passionate about programming Canadian playwrights and developing new works and this season is no different.

The 2015-2016 season offers up political scandal; a tribute to our veterans; a local family holiday story; international intrigue; chilling vengeance and a visit from the Queen. The new season, subscription and ticket information were posted on GCTC‘s website at the same time along with a video of Eric Coates, Hugh Neilson and staff introducing the new season. www.gctc.ca.

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NAC Announces its 2015-2016 Dance season –

NAC Announces its 2015-2016 Dance season –

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The 2015-16 season showcases the best dancers, choreographers, and designers from around the world, the line-up includes artists from 14 countries: Belgium, Brazil, Canada, China, Finland, France, Germany, Israel, Japan, South Africa, Spain, Taiwan, the United Kingdom and the United States.

Dada Masilo: Swan Lake

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Canada’s Royal Winnipeg Ballet: Going Home Star – Truth and Reconciliation January 28-30, 2016  A star-studded collaboration between the RWB, Canadian author Joseph Boyden, choreographer Mark Godden, and Canadian composer Christos Hatzis. Going Home Star was 10 years in the making, first envisioned by late Cree elder/activist Mary Richard and RWB Artistic Director André Lewis. Searing and sensitive, this powerfully emotional classical ballet is the deeply resonant love story of Annie and Gordon, a pair of contemporary aboriginal young people coming to terms with a soul-destroying past. Without truth, there is no reconciliation. Canada’s Royal Winnipeg Ballet was last at the NAC in January 2015, performing The Handmaid’s Tale.

Hong Kong Ballet: The Sleeping Beauty March 3-5, 2016. Embrace the timeless enchantment of one of the world’s favourite fairy-tale, The Sleeping Beauty. This sumptuous production, staged by Cynthia Harvey, features technical brilliance and bravura dancing, stunning sets and costumes by Mark Bailey, and Tchaikovsky’s magnificently seductive score. This fast-paced ballet delivers family-friendly fun with all the essential fairy-tale ingredients: storybook characters, romance, fate, good versus evil— and of course, true love! Hong Kong Ballet makes its NAC debut.

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Intercultural conversations/conversations interculturelles : Nineteen local companies awarded grants for the upcoming seasons.

Intercultural conversations/conversations interculturelles : Nineteen local companies awarded grants for the upcoming seasons.

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Photo: Amy Keith
Acteurs gauche à droit (left to right)
Cynthia Cantave, Charles-Smith Métellus, Vanessa Schmit-Craan  

Capital Critics Circle is happy to present this excellent news about Intercultural Theatre. We reviewed “The Other Theatre’s” production of Macbeth at the Segal centre and we are very happy this company received an award. Their production was excellent and gave us a new and unique vision of Shakespeare as seen through a group of Haitian professionals of the stage, based in Montreal. All our congratulations to the winners…(note http://capitalcriticscircle.com/?s=Macbeth&x=0&y=0  for a review of Macbeth.

Encouraging theatrical dialogue between the various cultures in Montreal
Nineteen local companies awarded invaluable grants for their upcoming seasons

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The Best Brothers at GCTC IS the Best

The Best Brothers at GCTC IS the Best

Photo: Barbara Grey
John Ng and Andy Massingham
Photo: Barb Gray

GCTC has a hit on their hands with their production of “The Best Brothers” by award-winning Canadian playwright Daniel MacIvor.  MacIvor’s plays are so tightly woven that they’re difficult to write about without giving away quirky plot surprises and wonderful jokes.

“The Best Brothers” is a play about family and family relationships.  Hamilton Best, played by John Ng, and his younger brother Kyle, played by Andy Massingham, are faced with coping with the sudden death of their mother.  She was killed in a bizarre accident at a Pride Parade – one of the surprises I won’t give away.  They have to deal with long-buried resentments, sibling rivalry and what to do about their “other brother” Enzo, another surprise.

These two are very good actors and are well matched. John Ng’s Hamilton, almost always appearing in a suit, is an uptight architect whose wife is about to leave him.  Andy Massingham’s Kyle is more of a free spirit whose current boyfriend is a sex worker.  They bump heads over the obituary and Kyle’s proposal to have their Mother’s visitation catered.  Andy Massingham’s impeccable comic timing is on display in a hilarious scene at the visitation.  Each actor at times dons white gloves and gives us poignant and funny glimpses of their Mother, Bunny.

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Opera Lyra’s bold, new expanded season for 2015-2016

Opera Lyra’s bold, new expanded season for 2015-2016

General Director Jeep Jeffries and Interim Artistic Director Kevin Mallon proudly introduce Opera Lyra’s bold, new expanded season of classic and contemporary works for 2015-2016.

Opera Lyra’s 2015-2016 season includes two updated classic operas at the National Arts Centre (NAC) in Southam Hall and two new partnerships to bring Ottawa additional contemporary and classic productions in smaller venues. In addition, Opera Lyra’s fall show for families and students tackles bullying through song and audience participation.  This new, enhanced season includes four subscription packages and all four operas can be seen for as little as $162.  The 2015-2106 season brochure, highlight video, calendar of special events and subscription and ticket information are online at operalyra.ca.

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