Carlyn Rhamey is a force of nature. Her facial expressions are anything but small, and her voice is able to fill uOttawa’s Studio 1201 with ease. Rhamey is a natural storyteller with an endearing, sometimes childlike spirit (in the best way!).

Scaredy Cat is an autobiographical solo show – sometimes stand-up, sometimes re-enactment, sometimes memoir – that follows a core thread of fear and its ramifications on the totality of our lives. Rhamey is a self-diagnosed scaredy cat, and indeed one that her audiences immediately empathize with as she takes us on a journey through her fear-filled life. 

For Rhamey, scary situations take many forms: haunted houses, clowns, sharks, creepy men, you name it. Rhamey has a charming, self-deprecating sense of humor that amusingly disarms the legitimacy of her fears; she laughs at herself as much as we laugh at her unfortunate antics. Scaredy Cat’s pacing is very much one influenced by stand-up comedy, complete with pace-breaking water breaks; Rhamey is clearly comfortable talking to people and making them laugh.

Rhamey’s reliance upon a stand-up framework is both a strength and a weakness of Scaredy Cat as a Fringe show; Scaredy Cat falls into a tradition of solo shows with lighthearted facades and emotionally sharp inner cores. It takes longer than I’d have preferred for Scaredy Cat to find its footing in more serious commentary; once Rhamey falls into the heavier stories, it is oh-so-powerful, but it feels almost as if Rhamey wants to stay in her comfort zone of boisterous, physical comedy, and is eager to get back to this place of lightheartedness. Carlyn Rhamey is a lovely actor with the capacity for sustained depth, and I am ever-excited for her to explore this further in her future work. 

Scaredy Cat is one of many wonderful solo shows helmed by women at this year’s Ottawa Fringe. Rhamey’s experiences are entertaining and brutally honest in a way that lures us in and keeps us wanting more. The lighting is also very effective; different emotional moments are effectively punctuated by changes in lighting, fleshing out an otherwise-simple, text-driven production. 

Scaredy Cat falls on my list of must-sees at this year’s Ottawa Fringe; if you love to laugh, both at others and at yourself, see this show, and “suck it up, buttercup.”

Scaredy Cat runs through June 23. For full scheduling, visit www.ottawafringe.com/schedule. Scaredy Cat is in Venue 5 – Studio 1201. 

 

 

 

Night Feed, presented by Canvas Sky Theatre, is a puppet play with a golden emotional core. Armed with a cast of working mothers, a conglomerate of objects and designated puppets (more on this later), and rock-solid direction, Night Feed seeks to demonstrate the struggles of motherhood. The performance I attended elicited tears, laughs, and everything in between from our mostly-female audience; Night Feed is a necessary piece of theatre that combats any misconceptions of puppets being only for young audiences.  …

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