Tag: World Premiere

Encount3rs/ Rencontr3s : World Premiere of three commissioned works at the National ArtsCentre.

Encount3rs/ Rencontr3s : World Premiere of three commissioned works at the National ArtsCentre.

Photo. Barb Gray
Alberta Ballet Caelestis

In view of an exceptional arts  event to celebrate the 150th Anniversary of Canada,  three choreographers and three composers were chosen from across Canada,  to create  specially commissioned works by the NAC. This was an exceptional opportunity  for audiences across the country but also for the artists to meet other companies and other dancers from other parts of Canada. They were invited to  develop their own work freely and to have the rare chance to work with a complete orchestra .Each event lasted 30 minutes in Southam Hall and the whole evening which opened last night and lasted just over two hours, left much to ponder about the future of dance in Canada.

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Lawrence Aronovitch’s Finishing the Suit an insightful portrayal of grief and mourning

Lawrence Aronovitch’s Finishing the Suit an insightful portrayal of grief and mourning

Photo: Andrew Alexander

This is a true heartbreaker. In Bear and Co’s latest offering at the Gladstone Theatre, Ottawa-based playwright Lawrence Aronovitch pens a script that delves into the grief of lost love. This world premiere is largely set in a tailor’s shop in 1070s New York, where being a publicly gay man is criminal. A young, nameless tailor works on a bespoke suit for a funeral. In the midst of his work, his mind wanders to his life’s greatest loves – the Duke of Windsor and a fiery Irish actor – who are now both dead, and suddenly conjures their ghosts onto the stage.

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The Gladstone unveils a fine new play with Finishing The Suit

The Gladstone unveils a fine new play with Finishing The Suit

Photo: Andrew Alexander

Lawrence Aronovitch’s new play, Finishing The Suit, comes to us simply, without pretension. But this tender drama about a lonely gay tailor coming to terms with a crushing personal loss deserves attention from anyone who cares about good theatre.

This Bear @ Co. Production is at the Gladstone until March 11, and it may be recommended not only for a beautifully written 70-minute script, a piece both psychologically and culturally observant, but also for a trio of strong performances from Matt Pilipiak, Isaac Giles and David Whiteley.

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Finishing the Suit: Bear & Co. delivers a sensitive and clear production

Finishing the Suit: Bear & Co. delivers a sensitive and clear production

Photo: Andrew Alexander

Finishing the Suit

By Lawrence Aronovitch

Bear & Co.

Directed by Joël Beddows

Coming to terms with the past is the only way to prepare for the future. Even then, putting grief to rest is incredibly difficult.

This is the theme of Lawrence Aronovitch’s fine play, Finishing the Suit, currently having its premiere production from Bear & Co. at the Gladstone.

The title is partly drawn from the reality of completing a morning coat (also referred to as a mourning coat in the context of the script). It is also a metaphor for sewing up the past through memory and conversation.

Directed with sensitivity and clarity by Joël Beddows, the three-person cast tells of the two people that have had the greatest impact on the tailor (Matt Pilipiak), The two, David (David Whiteley) —who is to wear the morning coat in death—and Jimmy (Isaac Giles) are both dead, but remain alive in the tailor’s heart and remembrance, almost to the exclusion of his daily existence.

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