Little Women production
Photo courtesy of the production company
Reviewed by Natasha Lomonossoff
Performing a story onstage which originally came from a book is always a challenge of adaptation, even more so with one the scale of Louisa May Alcott’s two-volume classic Little Women. With a running time of 2 hours and 40 minutes, musical theatre company Ain’t Seen Nothing Yet’s (ASNY) production of Little Women-The Broadway Musical at the Centrepointe Studio Theatre, directed by Jennifer Fontaine and Jacqueline Armstrong, successfully manages to present this story in a way that is not tiring. With a skilled cast and engaging musical numbers, one becomes easily attached to the March family through all of their trials and journeys. (Continue reading » )
Little Women Photo Ali Nicole
Book by Allan Knee, Music by Jason Howland, lyrics by Mindi Dickstein, based on the novel by Louisa May Alcott. ASNY Productions. Directed b Jennifer Fontaine and Jacqueline Armstrongy
Louisa May Alcott’s semi-autobiographical novel, Little Women, tells the story of Jo March (Alcott’s alter ego) and her three sisters Meg, Beth and Amy. Originally published in 1868, the tale has been retold in numerous formats — as a silent film, more recent movie versions, a television series, a stage play and a musical. (Continue reading » )
Anne of Green Gables The Musical
Based on the novel by Lucy Maud Montgomery
Book by Don Harron
Music by Norman Campbell
Lyrics by Don Harron, Norman Campbell, Elaine Campbell, Mavor Moore
Directed by Michael Gareau
Anne of Green Gables has been charming Canadians since Lucy Maud Montgomery created the spunky redhead in 1908. And the 1965 Don Harron/Norman Campbell musical based on her novel carried the Anne legend even further afield, so that every tourist from away makes a point of seeing Anne on stage at least once when visiting Charlottetown. (Continue reading » )
Poster. Courtesy of Phoenix Players
Office Hours By Norm Foster. Directed by Jo-Ann McCabe. Phoenix Players
It’s Friday afternoon at the office, or, more accurately, at six offices, and a regular day of preparing for the weekend away from the city.
The busy week included firing a couple of employees, having a sycophantic encounter with an alcoholic film director out of original ideas, dealing with a couple of potential suicides, a pushy salesman, a self-centred psychiatrist, a domineering mother who believes herself responsible for her son’s sexual orientation, an overweight jockey, a steamy novelist and a dead racehorse. (Continue reading » )
Shrek: Poster from Orpheus Musical theatre
Book and lyrics by David Lindsay-Abaire.Music by Jeanine Tesori. Based on the Dreamworks animation motion picture and the book by William Steig. Orpheus Musical Theatre Society, directed by Jenn Donnelly.
Shrek: The Musical will never win a place in the annals of great Broadway shows, but the production it receives from Orpheus is nevertheless an ongoing delight.
Forget the fact that the prime reason for its arrival on the Great White Way was somewhat cynical and opportunistic — to capitalize further on the enormous success of the Dreamworks animated movie about a misanthropic swamp-dwelling ogre named Shrek and his rescue of a princess from a tower. Ignore, if you can, the readiness of the stage adaptation to remain faithful to a marketing dictum pursued by the filmmakers — that young audiences find flatulence funny. Accept the reality that Jeanine Tesori’s score can be pretty underwhelming. (Continue reading » )
Poster for Orpheus musical in Ottawa
There have been some remarkable musicals already this early in Ottawa’s theatre season. We had the remarkable Jonathan Larson biographical musical Tick Tick Boom kicking off for Orpheus in the studio theatre at Centrepointe and the clever, innovative Ordinary Days at GCTC. We are now into the Christmas season and the more traditional musical formula is upon us.
Shrek, the classic story of ogre gets girl, ogre loses girl, ogre gets girl wrapped up in a message of inclusion and be true to yourself comes to the Centrepointe theatre from the dedicated and talented community of Orpheus. Oops, I forgot the spoiler alert. Oh well, I doubt that there would be more than two percent of the public that isn’t already familiar with the original DreamWorks animated film of the same name. (Continue reading » )
Poster for Orpheus musical in Ottawa
Book and lyrics by David Lindsay-Abaire; Music by Jeanine Tesori/ Based on the Dreamworks animation motion picture and the book by William Steig
Orpheus Musical Theatre Society directed by Jenn Donnelly
A terrific production can make a believer out of a curmudgeon of a reviewer who has always hated body-noise and bathroom jokes. No doubt about it.
Orpheus Musical Theatre Society‘s Shrek the Musical overcomes the limitations of the script, the generally unmemorable score and assorted loud belches and regular breaking of wind to land a show of stunning quality and great visuals. It also offers a low-key presentation of the message that love and acceptance come in many forms. (Continue reading » )
Perhaps the best thing that can be said about Kanata Theatre’s production of a play called Shatter is that it’s well-intentioned.
But that’s not sufficient to give it a pass.
It may have seemed an attractive notion to mark the 100th anniversary of the Halifax explosion with a drama that purports to deal with this tragedy. But the people at Kanata Theatre should have first made sure that the script was worth doing.
Dramatist Trina Davies is clearly seeking to bring a note of intimacy to her story and give us a glimpse of ravaged human lives. But in the process, she devalues the impact on Haligonians (and on Canadians) of the largest man-made explosion in human history until the dropping of the atom bomb on Hiroshima 28 years later. (Continue reading » )
“History has a voice.”
The line from the world premiere of Gord Carruth’s latest work, Sir John A. Macdonald, the Musical, is the core of the show that recounts key points in the life of Canada’s first prime minister in words and music.
The man — consistently ranked as one of the most successful prime ministers in Canadian history — is an ideal subject to mark the 150th anniversary of the country he was instrumental in founding, particularly given some recent negative comments about Macdonald’s policies. In his carefully researched and historically accurate musical, Carruth has chosen to present the man, his demons and some of his speeches, as recorded in Hansard, without judgment or analysis. (Continue reading » )
Martin Sherman’s Bent is a story that examines the persecution gay people in Nazi Germany. It is also a story of the importance of love and how it can continue to endure in the most horrific and challenging of circumstances. It is an acclaimed piece since it’s premiere in London in 1979 and has continued to be recognized for its powerful sensitive understanding of the evil of fascism and the strength of the human spirit in subsequent incarnations. It is a brave choice for any theatre to tackle and explains why ToTo Too is recognized as one of the finest community theatre companies in Ottawa. Bent is not an easy play to watch much of the time, but it is an important play that will always be relevant to people, unfortunately made more timely because of the resurgence of hate groups attacking Muslims, Jews, the LGBTQ community and anybody that is perceived as different. (Continue reading » )