Ottawa Fringe 2012: Little Orange Man, a show that needs a director

Reviewed by Rajka Stefanovska

For a little bit over an hour while watching the Little Orange Man, I was trying to understand what the show was about. I’m still trying and, I must admit, failing.

Ingrid Hansen plays 12 year old  Kitt whose imagination, helped by Hans Andersen’s fairy tales that her beloved grandfather used to read to her, transports the audience to the wild and hyperactive time of childhood. Kitt uses everything that could fit in a lunch box and a trunk to convey the story. Everything is there: pieces of food, puppets, a lamp, a hat a suit, and a shiny bike helmet. The only thing missing is the story.

The performance is very physical. Hansen is energetic, talented and funny, as far as that part goes. Thanks to this, the show was a success. The audience rewarded the performer with a standing ovation and cheers. Unfortunately, except for effective use of different objects, nothing really worked. It felt like a collection of a few randomly picked stories, or rather, the beginning of a few unfinished stories. Kitt, supposedly 12, sounds more like a 7 year old, and for some reason, has a speech problem. The whole thing is unnecessarily long, tiring and, due to utter lack of direction, confusing.

 

Little Orange Man   Produced by: SNAFU Theatre

Created by: Kathleen Greenfield and Ingrid Hansen

Performed by: Ingrid Hansen

Plays at: St. Paul’s Eastern


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