Reviewer: Yana Meerzon

Yana Meerzon

“…our own reality, like Kemeid’s text, remains ambiguous and undecided.” Aeneid at Stratford.

Reviewed by Yana Meerzon

First published in alt.theatre, September 13,  2016. http://alttheatre.ca/2016/09/13/yana-meerzon-reviews-the-aeneid-at-stratford-until-oct-4/

In today’s political, economic and social climate, with mass migration turning into a new norm, it is impossible not to think of Olivier Kemeid’s dramaturgy as farsighted and foretelling. The Quebecois playwright published L’Eneide, his dramatic adaptation of Virgil’s poem, in 2008 before the current migration crisis. Yet with its tenacious questioning of the potential impact of the presence of new immigrants on the rapidly changing western world, Kemeid’s adaption of Virgil’s The Aeneid becomes tremendously urgent. Through its poetic language, stylized movement and surrealist imagery, both Kemeid’s text and director Keira Loughran’s production speak of migration in historical and philosophical terms, aiming for a deeper understanding of the encounter between ordinary people (migrants) and nation-states.

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