Month: December 2014

La Cage aux Folles: Fun show with periodic glitches

La Cage aux Folles: Fun show with periodic glitches

Photographer: Patricia Curtis
Photographer: Patricia Curtis

When La Cage aux Folles premiered on Broadway in 1983, the award-winning show was often described as the coming out of musical theatre.

Flamboyant, funny and potentially touching, the main theme was the power of love and the many ways it can be expressed.

In the 40-plus years since the play on which the musical is based hit the stage, the world has grown in understanding and tolerance. Therefore, the shock value of a show about a gay couple, with one of the pair the drag-queen star of the nightclub they run is virtually non-existent. That their son is about to become engaged to a young woman gets a mild reaction on stage only. The problem is that she is the daughter of a crusading homophobic deputy and the boy wants to bring his girl and their parents home to meet his family

In the Suzart Productions presentation of La Cage aux Folles, directed by Susan Fowler-Dacey, one of the most poignant moments is when Albin — the man who has nurtured his partner’s son for more than 20 years — is told to make himself scarce during the parental visit. In fact, Kraig-Paul Proulx as Albin and his alter ego, Zaza the drag queen, delivers a dramatically and musically strong performance at all times. Without question, he is the focal point throughout.

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La Cage aux Folles`: A single Sterling Performance Can’t Rescue Suzart’s Show

La Cage aux Folles`: A single Sterling Performance Can’t Rescue Suzart’s Show

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Photo: Patricia Curtis.   Kraig Paul Proulx on the piano.

The trouble with Suzart’s new production of La Cage Aux Folles is that it contains only one performance of genuine dimension, commitment and conviction.

It comes from Kraig Paul Proulx, excellent in the role of Albin, the aging St. Tropez drag queen whose long-term relationship with Georges, long-time manager of the venerable La Cage nightclub, is thrown into crisis when the son they have raised together falls in love with the daughter of an ultra-conservative household.

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Pommes and Restes: Shipwrecked on the Tempestuous Lost Island of Never: Much More Than Slapstick.

Pommes and Restes: Shipwrecked on the Tempestuous Lost Island of Never: Much More Than Slapstick.

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Photo: Barb Gray. Scott Florence and Margo Macdonald

What can I say about a play that within the first five minutes showers the audience with balloons and ends with the actors passing around trays of very tasty cupcakes? The world premiere of “Pomme and ‘Restes: Shipwrecked! On the Tempestuous Lost Island of Never” by A Company of Fools is partly a wacked-out version of Shakespeare’s “The Tempest” combined with The Three Stooges and Pythonesque word-play. It begins with a shipwrecked cruise ship dumping the five characters on an appropriately cartoonish desert island, designed by John Doucet.

The two clown characters are Pomme Frites, a lugubrious philosopher who wants to do “stand-up tragedy,” and ‘Restes, his none-too-bright rubber-faced sidekick. They’re wonderfully played by, respectively, Scott Florence and Margo MacDonald, co-authors of the script along with Director Al Connors. As for the script, I can easily imagine something happening in rehearsal that got the response, “Hey – that’s fun. Leave it in!”

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