Capital Critics' Circle
Le cercle des critiques de la capitale

Reviewing Theatre in Canada's Capital Region
La critique théâtrale de la région Ottawa-Gatineau

Peggy Laverty explains her choice of costumes after Alvina Ruprecht’s review of the Confessions of a Drag Queen.

Reviewed by on    Arts News, Theatre in Ottawa and the region   ,

Hello
Regarding Toto Too’s recent Production , I would like to make a few comments.
It is always easy and satisfying to make a character look good. It is harder to allow oneself to make a character look relatively unattractive.

Barry’s clothing was not meant to be modern. The dresses, according to the script, had been in storage for 25 years while he was in jail. They are from the 80’s, and, as most were at that time, are somewhat frumpy and overdone. These are referred to by John as being “shit ugly frocks”.

Neither the Director or the Production people wanted blatantly flamboyant outfits for Miranda’s character. He was to be involved in a meeting with a serious straight man who would affect his life, not dressing for a night at a Drag Queen competition. I filled the two racks on stage with the more dramatic outfits which would have been used earlier in their stage shows.  He is living in an altered reality, delusional and living in the past, and he thinks he looks wonderful in his old clothes and overdone makeup.

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