Photo: George Salhani.
Paula Vogel’s Desdemona: A Play About A Handkerchief isn’t as clever as it thinks it is.
It emerges at the Gladstone as some sort of muddled feminist retelling of Shakespeare’s Othello. In the process, it turns the original tragedy on its ear, presenting Othello’s wife, Desdemona, as some kind of whore who has slept with just about everybody in town and who is turned on by phallic symbolism. (Continue reading » )