Robert Lepage’s 887, named after his childhood home address, deals with the unstable, vague nature of personal and collective memory. It’s an autobiographical show, in which he recalls his childhood in Québec City during the turbulent 1960s.
Details about his father and his immediate surroundings, as well as the Quiet Revolution and its consequences, frame his childhood and shape his identity, to an extent that surprises even Lepage. The snippets of story are nestled within the frame of the artist’s struggle to remember the words to “Speak White” By Michèle Lalonde, a poem dealing with the cultural and linguistic imperialism of the English-speaking world. (Continue reading » )