There are understandable reasons that Elizabeth von Arnim’s 1922 novel, Enchanted April, is enjoying a renewed lease on life.
Perhaps the most obvious in this day and age is the fact that one can detect early tinges of feminism in this story of four British women of various ages and backgrounds who boldly assert their independence and team up for an idyllic holiday in an old castle in sunbaked Italy.
But other durable factors are also at play here. It is an engaging tale. It is peopled by four interesting and believable female characters. Finally, in its successful transfers to film and stage: the material has offered a bouquet of splendid acting opportunities. (Continue reading » )