Now in its sixth year, Ottawa’s Fresh Meat festival brings 12 short shows over two weekends to invariably enthusiastic Arts Court audiences. The following were reviewed during the first weekend.
Le Crip Bleu
Featuring brave, generous and very funny performances by Alan Shain and Frank Hull – both wheelchair-using actors who celebrate the “able” in disabled – Le Crip Bleu is a wordless burlesque show that reminds us that humour and the glory of the human body in all its guises matter far more than shallow, contemporary conventions of beauty. The two perform a mating dance using their chairs, taunt and tease the audience with stripteases (the show does count on hooting, cooperative viewers), and generally carry on in cheeky, envelope-pushing fashion. One suspects the show could touch the heart of even a die-hard Republican.
Marc-André Charette and Anie Richer blend words, movement and song with deep love and compassion in this textured tale of a mother sliding into fragility. Performed with English surtitles on a bare stage with hundreds of sheets of paper as props, La disparition (She’s Gone) is authentic, satisfyingly choreographed and – whether you’ve ever watched your mother slip away into the unknowable world of dementia or not – both powerfully resonant and oddly hopeful. (Continue reading » )