Capital Critics' Circle
Le cercle des critiques de la capitale

Reviewing Theatre in Canada's Capital Region
La critique théâtrale de la région Ottawa-Gatineau

Ragtime: Lasting images and musically very attractive

Reviewed by on    Theatre in Ottawa and the region   ,

Ragtime. Photographer Alan Dean

The insistent syncopation of the ragtime motif, stylized patterns and defining colours form lasting images as the stories emerge in Ragtime: The Musical.

The award-winning show opens with a presentation of three different perspectives in the years leading up to World War I. We meet the privileged whites of La Rochelle, New York, safe in their separation from the difficulties faced by the others. Next, we are introduced to representatives of those groups — the black Harlem community with the music that makes their difficult lives easier and the immigrants facing even greater hardship as they try to establish themselves in their new land. (Continue reading » )

Mary Poppins: Lively production works well with script

Reviewed by on    Theatre in Ottawa and the region   ,

Photo: Ain’t Seen Noth’n Yet

Mary Poppins
Music and lyrics by Richard M. Sherman and Robert B. Sherman
Book by Julian Fellowes
Additional music and lyrics by George Stiles and Anthony Drewe
Ain’t Seen Noth’n Yet (ASNY) Production
Directed by Jennifer Fontaine

By any standards, Mary Poppins is a complex project. Originally, she was the ideal nanny imagined by the British-born, Australian writer Pamela Lyndon Travers (aka Helen Lyndon Goff). Conjured up in her 1934 stories, she represented a form of escape from a difficult childhood. Then, the flying nanny became the sugarcoated heroine of the 1964 Disney movie, starring Julie Andrews and Dick Van Dyke.

In the 2004 stage musical, Julian Fellowes (of Downton Abbey fame) bases his book on a fusion of the Travers’ stories and the Disney movie, while George Stiles and Anthony Drewe added new songs to the original group by brothers Richard and Robert Sherman. (Continue reading » )