It doubtless started out as a viable, if overstuffed, idea.
Write a comedy about the erosion of Chinese culture and tradition when it’s transplanted to contemporary America. Illustrate the resonant theme of cultural identity by making the two main characters the likeable Larry Yee, a 60-year-old father who honours tradition, and Lauren Yee, his thoroughly westernized, Ivy League school-educated daughter who makes her living as a playwright.
Weave in a loving-but-fraught relationship between father and daughter and a search for personal identity. Set the whole thing in Chinatown, say it’s a true story, and call it King of the Yees. (Continue reading » )