Les 1 et 2 décembre 2017 (vendredi et samedi), à 19h30, Anne-Marie Gaston, mieux connue sous le nom d’Anjali, son nom d’artiste, va présenter Lady Macbeth, un spectacle unique de théâtre dansé à la Cours des Arts, dans la salle ODD, au 2 avenue Daly (près de l’université). (Continue reading » )
Building The Wall, written by Robert Shenkkan.
The swift march of folly can be the enemy of political theatre; by the time a playwright responds to events and a play reaches the stage, the world has moved on. Not so with Building The Wall by Robert Schenkkan. If you’ve had more than your dose of Trump inspired hilarity as served up by late night television, Horseshoes & Hand Grenades Theatre has the antidote. Lights up on grave misgivings. Walls actually come tumbling down in this production. (Continue reading » )
Kellie MacDonald. Criticism class of Patrick Langston. November 18, 2017
From Israel-based dance company L-E-V, co-Artistic Directors Sharon Eyal and Gai Behar present OCD Love at the National Arts Centre’s Babs Asper Theatre. At roughly 55 minutes without intermission, the performance is an exploration of love and obsessive compulsive disorder set to the metronomic ticking of DJ Ori Lichtik’s soundscape. OCD Love keeps audiences on the edge with writhing choreography and repetitive bass-thumping house music. (Continue reading » )
Emily Blake, November 26th 2017
In Patrick Langston’s criticism class.
Silence speaks louder than words, and in that silence is all the meaning in the world. LEV’s OCD Love is a powerful commentary on what it like to be plagued by OCD, shedding light on the realities of those who are faced with this disorder every day. LEV is an Israeli dance company founded by choreographer Sharon Eyal and Gai Behar. They are joined by techno musician Ori Lichtik, working together to create this hypnotic masterpiece. (Continue reading » )
Patrick Langston, artsfile.ca preview
October 12, 2017
A scene from Gabriel Dumont’s Wild West Show produced by the NAC’s French Theatre department. Photo Johnathan Lorenge.
Gabriel Dumont would be intrigued. Dumont, the ally of Louis Riel and leader of the Métis forces during the 1885 North-West Rebellion against the Canadian government, fled Canada for the U.S. after the rebellion was quashed and Riel hung.
In the U.S., he joined Buffalo Bill’s Wild West show, but he didn’t stick for long. However, it turns out he did dream of creating something similar in Canada to spotlight the struggle of the Métis people to reclaim their rights.
(Continue reading » )
Office Hours By Norm Foster. Directed by Jo-Ann McCabe. Phoenix Players
It’s Friday afternoon at the office, or, more accurately, at six offices, and a regular day of preparing for the weekend away from the city.
The busy week included firing a couple of employees, having a sycophantic encounter with an alcoholic film director out of original ideas, dealing with a couple of potential suicides, a pushy salesman, a self-centred psychiatrist, a domineering mother who believes herself responsible for her son’s sexual orientation, an overweight jockey, a steamy novelist and a dead racehorse. (Continue reading » )
OCD Love: L-E-V Dance company delves into a paradox, the strange psychic disruption of the troubled body!
This latest work by the Israeli dance company LEV Dance, created by Sharon Eyal and Gai Behar is a terrifyingly complex moment of corporeal inventiveness that subjected the dancers to the most demanding feat of choreography I have ever seen.
Kellie MacDonald from the Theatre Criticism course of Patrick Langston, U of Ottawa
Widely considered the opera event of the season, this is the North American premiere of acclaimed British composer-conductor Thomas Adès’s newest work. With direction and libretto by Tom Cairns, The Exterminating Angel draws inspiration from the 1962 Luis Buñuel film of the same name. It is, at the same time, thrilling and torturously slow, depicting the descent into madness of a Sartrean dinner party nobody can leave. (Continue reading » )