Ottawa Fringe 2013. La Voix humaine

Reviewed by Alvina Ruprecht

La Voix humaine, libretto by Jean Cocteau, musique by Francis Poulenc

This is a serious opera performance with the beautiful soprano voice of Rachel Krehm (elle) accompanied by pianist Patrick Hansen playing Poulenc’s music. A breath of fresh air in the festival. The set is the woman’s room. Photos of her lover and herself are projected on the backdrop and there are surtitles in English so it is easy to follow. Based on Cocteau’s play, this is a a devastating phone conversation where we only see the woman, and hear her voice on our end but her answers and reactions make the conversation and the image of the man on the other end, very clear. He is in the process of leaving her but she is so much in love that she at first can’t believe it and then as the tragedy sinks in, she keeps taking all the blame as his erratic, often angry reactions show he feels slightly guilty but turns that guilt against her. AS she is trying to reassure him that she is fine and he must not feel upset, she is slowly committing suicide, by drinking water laced with pills. In this magnificent one act performance, the portrait of the absent, self-centred male is just as strong as the portrait of the woman who is slowly falling apart in front of us, while sustaining a voice that tries to avoid tragic tones so that her lover will not hear what is really happening in the room. A very difficult role for a singer and actress/singer Mme Krehm did it beautifully. Her pianist added a level of concert performance that put this on the stage of the NAC ! Certainly not normal fringe fare. This is live performance at its artistic best.

Musical director Maika’I Nash

Stage director Aria Umezawa

A production of Opera 5 , Toronto


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