Capital Critics' Circle
Le cercle des critiques de la capitale

Reviewing Theatre in Canada's Capital Region
La critique théâtrale de la région Ottawa-Gatineau

More Montreal Fringe: Jusque dans les os; My Big Fat German Puppet Show; Lotus

Reviewed by on    Montreal Fringe 2014, Summer theatre 2014  


Reviewed by Kat Fournier.

Jusque dans les os   Collectif (dif)FRACTION

Written by Stéphanie Pelletier, Directed by Stéphanie Pelletier and Kathleen Aubert

Inspired by a real moment in the playwright’s life, Jusque dans les os recounts a night wherein a man tried to force his way into her home. The trajectory of this play is deliberately narrow: It is a reflection on fear, imagination and the earth-shattering moment wherein the playwright’s fear turned to terror. The staging is very still, and yet, the production is effective. The strength lies in the strength of the acting, bolstered through the the use of some simple props. This straight-forward play lures the audience back into a moment; the subtlety is quite evocative.

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Montreal Fringe. Devil’s Circus, Story Whore and Le Monstre.

Reviewed by on    Montreal Fringe 2014  



Reviewed by Kat Fournier

The Devil’s Circus

The Wishes Mystical Puppet Company    Directed by Daniel Wishes

A “reimagined” comedic version of Orpheus and Eurydice’s tragic love story. Here, Orpheus is a vain circus performer and Eurydice is his sidekick. After falling to her death from the high wire, Eurydice winds up in hell where Satan holds his own circus. This variety show is tied together by a loose narrative of Eurydice’s and Satan’s own love story and features a number of puppetry traditions from Shadow to Bunraku to tricked-out 19th century marionettes. The craftsmanship is quite remarkable though malfunctions with a number of the puppets hamper the overall quality of this production, as did the unsubtle manipulation of the Bunraku puppets. Look forward to the introduction of the multi-headed dog Cerberus; who knew a hell-hound could be so lovable.

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