Community Theatre

OLT does itself proud with Norm Foster’s Old Love

Reviewed by Jamie Portman

Photo courtesy of Ottawa Little Theatre

Of course there’s comedy in Norm Foster’s 2008 play, Old Love, What else should we expect? After all it is a Norm Foster play. But there’s also wisdom and gentleness here — qualities that are abundantly present in Venetia Lawless’s thoughtful and beautifully modulated production for Ottawa Little Theatre.

It’a not quite right to suggest that Old Love is about a 30-year infatuation or even an obsession. Such words cheapen the emotions that the aging Bud has long nursed for Molly, the inaccessible — but, for him, mysteriously enchanting — wife of his boss. (more…)

Ragtime: An effective production!

Reviewed by James Murchison

I went to see Ragtime at the Centrepointe theatre. The darkness of
evening had not yet fallen and it was gloriously free from the
incessant rain that we have all become so accustomed to. It was a
glorious greaat evening to go to the theatre.
The story of Ragtime is as familiar as time. There are the wealthy
people of New Rochelle who never need worry about anything and
are blissfully unaware of the strife that besets most of the nation.
There are the new Eastern European immigrants struggling to start
a life in America fully believing the myth that everyone has an
equal path to prosperity and happiness. Then there is spirit of the
freewheeling ease of the black clubs of Harlem. (more…)

Old Love: Just the right mix of heart and humour

Reviewed by Iris Winston

Photo courtesy of Ottawa Little Theatre

Old Love
By Norm Foster
Ottawa Little Theatre
Directed by Venetia Lawless

For two friends in their 60s who just celebrated their third wedding anniversary and say that love in later life is especially rewarding, Old Love is a play to identify with and enjoy.

Probably one of the most charming of Canadian playwright Norm Foster’s 55 scripts, Old Love, while containing many of his signature one-liners, is more romance than comedy. First performed in 2008, Old Love traces an undeclared love that has lasted for 30 years, unspoken until he — now divorced — invites his former boss’s widow to dinner at the funeral reception. (more…)

Ragtime: Lasting images and musically very attractive

Reviewed by Iris Winston

Ragtime. Photographer Alan Dean

The insistent syncopation of the ragtime motif, stylized patterns and defining colours form lasting images as the stories emerge in Ragtime: The Musical.

The award-winning show opens with a presentation of three different perspectives in the years leading up to World War I. We meet the privileged whites of La Rochelle, New York, safe in their separation from the difficulties faced by the others. Next, we are introduced to representatives of those groups — the black Harlem community with the music that makes their difficult lives easier and the immigrants facing even greater hardship as they try to establish themselves in their new land. (more…)

Sister Act: Suzart Productions Puts on an Entertaining Show

Reviewed by Iris Winston

 

Photo: Suzart Producttions

Book by Cheri Steinkellner and Bill Steinkellner
Music by Alan Menken
Lyrics by Glenn Slater
Suzart Productions
Directed by Ellen Seguin

From gangster’s moll to cop’s heartthrob, Deloris leaves seedy discos and bars for the peace behind convent walls — almost.

Based on the 1992 movie starring Whoopi Goldberg, Sister Act is set in 1970s Philadelphia, where nightclub singer hopeful Deloris Van Cartier sees her gangster boyfriend commit murder, so putting her own life in danger. Her police officer admirer arranges for her to spend time in protective custody in a cash-strapped convent — a location as uncomfortable for her as it is for the Mother Superior who must keep her under wraps. But, as the sisters soon discover, the Lord works in mysterious ways, especially when Deloris turns the catastrophic chorus of nuns into a powerhouse choir worthy of performing for the Pope. (more…)

TotoToo’s Priscilla a transport of delight

Reviewed by Jamie Portman

Photo: Maria Vartanova

Priscilla, Queen of the Desert (The Musical)
Book by Stephan Elliott and Allan Scott
Musical arrangements and orchestrations by Stephen ‘Spud’ Murphy
Developed for the stage by Simon Phillips
Based on the movie The Adventures of Priscilla, Queen of the Desert
TotoToo Theatre
Directed by Michael Gareau

In a way, Priscilla: Queen Of The Desert revels in its own ramshackle, cheeky improbability. That’s what made it so endearing back in 1994 when it lumbered onto cinema screens as a delightful road movie. We were treated to the spectacle of two drag queens, along with an aging transgendered woman who serves as both nanny and mentor to them, journeying across the Australian outback for a performance gig at the remote Northern Territory town of Alice Springs.

(more…)

Priscilla, Queen of the Desert Offers Thoughtful, Flamboyant Fun

Reviewed by Iris Winston

Photo: Maria Vartanova

Priscilla, Queen of the Desert (The Musical)
Book by Stephan Elliott and Allan Scott
Musical arrangements and orchestrations by Stephen ‘Spud’ Murphy
Developed for the stage by Simon Phillips
Based on the movie The Adventures of Priscilla, Queen of the Desert
TotoToo Theatre
Directed by Michael Gareau

It’s camp, caring, charming and costumed — Oh boy! Is it costumed!

Priscilla, Queen of the Desert (The Musical) is a highly entertaining jukebox musical that shoehorns 27 pop and disco favourites — especially drag performance favourites — from the 1970s and 80s into a rickety bus (Priscilla) traveling across the Australian desert from Sidney to Alice Springs. (more…)

Priscilla, Queen of the Desert: Brilliant production of an important play

Reviewed by Alvina Ruprecht

Photo: Maria Vartanova

Toto Too never  stops outdoing itself  and this ultra-energized performance under the direction of Michael Gareau proves it once again. It all  glows and glitters with the marvelous costumes of the  drag Queen world,  (created by designer Lu-Anne Connell ), the stunning  singing voices , the  excellent acting  and Paddy Allen McCarthy’s all-encompassing choreography,  take over  the original  music and lyrics that transgress  the established codes of  the musical world.  Priscilla, Queen of the Desert is a brilliant monument to a shifting world where every human individual is given a space of one’s own.   (more…)

Kanata Theatre’s Treasure Island turns to dross

Reviewed by Jamie Portman

Photo: Kanata Theatre

“I don’t do nuance,” George W. Bush once famously observed. Neither does Kanata Little Theatre when it comes to bringing Treasure Island to the stage. The people involved in this noisy, strident, generally unsubtle offering seem to think it’s being mounted in the cavernous Canadian Tire Centre just down the road rather than in the intimate Ron Maslin Playhouse. Too often, Wendy Wagner’s production seems more of a shouting match rather than a proper performance with both the Robert Louis Stevenson
novel on which it is based, as well as Ken Ludwig’s stage adaptation, often perishing in the din.
To be sure, there are some good things about the production The design factor is spectacularly successful. Karl Wagner’s set works wonderfully both as the Admiral Benbow Inn and as a vessel in search of buried treasure. Wagner is also responsible for the atmospheric lighting, while Maxine Ball deserves credit for the outstanding costumes and Robert Fairbairn scores with the show’s soundscape. Fight choreographer Aaron Lajeunesse has come through with some nimbly executed swordplay. And the scene changes are fluidly managed. (more…)

Treasure Island: Mediocre production with great technical elements

Reviewed by Iris Winston

Photo: Kanata Theatre

Treasure Island
By Ken Ludwig
Adapted from the novel by Robert Louis Stevenson
Kanata Theatre
Directed by Wendy Wagner

The treasure to be found in the Kanata Theatre production of Treasure Island is its design and technical achievement.

But much of the rest of Ken Ludwig’s adaptation of Robert Louis Stevenson’s adventure story — written to entertain his stepson, with “no need of psychology of fine writing”— is boring, repetitive and noisy in the KT production, directed by Wendy Wagner. (more…)

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