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Photo: Plosive Production

 

Basket of Deplorables By Tom Rachman at Gladstone Theatre

If the definition of satire is: “ the use of humour, irony, exaggeration, or ridicule to expose and critisize people’s  stupidity or vices, particularly in the context of contemporary politics and other topical issures” Tom rachman definitely hit t he mark with his latest book  “Basket of Deploraples.”    In this series of short stories , he explores the  Trump era with an open eye , leaving no room for sympathy for the culture of his own time.  Of course, his lont journalistic career made him a knowable observer of our reality. 

Rachman worked as an editor at the foreign desk of The Associated Press in New York. His assignments included reporting from  India and Sri Lanka;  he was a correspondent for The Associated Press in Rome, traveled to Egypt, Japan, South Korea and Turkey. In those years, he learned a lot about world politics, but even more about people and their reaction to realism. He understood perfectly their  refusal  to believe that inevitable will come, their attempt to escape unwanted reality, their readiness to blindly believe unreliable electronic media.

 His life and work experience were  incorporated skilfully into  stories about Americans, ranging from the intellectual elite to a simple Starbucks barista. He explores their characters through a number of small incidents where one ordinary event leads to a revelation. So, on election night, a Manhattan party is in the middle of  its pleasant small talk while waiting for Hilary Clinton to become the first female president of the USA. The unpredicted outcome leads guests into a state of panic, and the blind host to a shocking confession. The atmosphere shifts from sophisticated to unrefined unearthing the ugly reality about division in the country where power stands strong above powerless,  igniting anger of disenchanted but still claiming and winning their total submission.

 Blindness is a leitmotiv of the stories – blind host, blind faith of the guests, blindness as an incapacity  to see and to resist the ugly truth.  There are no illusions in the writer’s mind about us, his contemporaries, and, therefore,  no bright future for this generation. These are not funny stories about Donald Trump, but rather about us who allowed the creation of the Trump era.

 The world’s first live staged reading of the audio-book was mostly a pleasant theatre experience with a few problems. The first story, narrated by Teri Loretto-Valentik as a blind ex photographer of the celebrities, read/acted brilliantly. Her voice was seductive in despite of the bitterness and anger waiting to explode. She narrated with conviction, strength and natural flow.

 Although there were many funny moments and some good characterizations, the lack of concentration, from time to time, was upsetting.   After times,  the intensity of the narrative started wear off , as did the audience’s attention. Reading on  stage, obviously, can  be very interesting, but it should not last longer  than an hour.

 Narrated by:

Teri Loretto-Valentik,

Paul Rainville,

David Whiteley,

Brad Long

Rachelle Casseus