Reviewer: Capital Critics Circle

Capital Critics Circle
This section is reserved for Arts News that comes our way via press releases from theatres in the area, or newspaper articles about arts events that are not theatre reviews.

Student review: Voices from the Front

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source-for-Voices from the Frong

photo courtesy of Plosive Theatre


Natasha Lomonossoff from the theatre criticism class of Patrick Langston at the University of Ottawa

With exceptional vocal performances and material inspired by letters of Canadian soldiers at the front of the two world wars, Plosive Productions’ work Voices from the Front strikes a tone that is both realistic and touching. The play, a work co-created by Teri Loretto-Valentik and John Cook and directed by the former, is presented in the tradition of the Gladstone’s annual radio play and narrates the experience of war in the format of a radio broadcast. The staging aspect of this format, however, takes a back seat to the letters and speeches which are read out loud to the audience; it is the delivery of these in which the show derives most of its emotional strength.

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Student review” ” Voices from the Front”, The Radio Show : Remembering the Voice

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Taylor Stewart  in the Theatre Criticism class of Patrick Langston.

Voices from the Front: The Radio Show is a pure, emotional power house that commemorates the brave men and women of the Canadian military. It delivers a performance as powerful as a a service at a Cenotaph yet is wholly different.

The show was written by John Cook and Teri Loretto-Valentik from the letters of Canadian Soldiers during World War I and II. This is a piece of verbatim theatre, meaning the majority of the text is preserved as it was written by the individuals who originally wrote the letters; however, they have been added to for the purpose of a flowing narrative or filling in details that would add to the fiction of the show. Using these letters Cook and Loretto-Valentik have created the characters of Will Cooper and his son, Wilfred Cooper. The two are enlisted men serving in WWI and WWII, respectively. The show consists primarily of the actors reading the letters that Will and Wilfred have written to their families. (more…)

Capital Critics Circle announces annual theatre awards

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Vigilante,   Photo by David Cooper,                        Best professional production

Phot Maria Vartanova

    • Other Desert Cities, best community theatre,   Photo Maria Vartanova

 
The Capital Critics Circle today announced the winners of the nineteenth annual theatre awards for plays presented in English in the National Capital Region during the 2016-2017 season. The winners are:

Best professional production:    Vigilante written, composed and directed by Jonathan Christenson, Catalyst Theatre, in association with the NAC.

Best production community:  Other Desert Cities by Jon Robin Baitz, directed by Geoff Gruson, Ottawa Little Theatre

Best director professional: Esther Jun for her direction of The Last Wife (more…)

Student review: What’s wrong with the Yees?

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Reviewed by Emily Blake in the theatre criticism class of Patrick Langston

The National Arts Center’s presentation of King of the Yees, written by Lauren Yee and directed by Sherry J. Yoon, is a cultural roller coaster in 120 minutes. King of the Yees takes place mid-rehearsal, as actors Donna (Donna Soares) and Raugi (Raugi Yu) bring to life the story of the real Lauren and Larry Yee. All is going swimmingly until the ‘real’ Larry (played by Jovanni Sy) and Lauren (played by Andrea Yu) appear on stage and things start to become unapologetically funny. The audience learns that Lauren is also the playwright of this production and her aim is to bring to life the tales of a dying Chinatown and find understanding in her place within it. The cast of this cultural masterpiece know how to make audience interaction an integral part of the show, and they are not afraid to jump on and off the stage to make the audience feel as though they are in this too. (more…)

The Elephant Girls – Celebrating 100 Performances

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Margo MacDonald

Margo MacDonald

The Elephant Girls turns 100!

Come see The Elephant Girls and help us celebrate 100 performances of this multi-award winning show. One Night Only!

The Elephant Girls premiered at the Ottawa Fringe Festival in 2015 where it broke box office records, won rave reviews, and all the top awards. The show has been touring in Canada and overseas ever since. Now as Margo MacDonald reaches an amazing one hundred performances, we look forward to presenting The Elephant Girls in its hometown to celebrate. Come see the show, then stay for drinks and a Q&A session with creator/performer Margo MacDonald and director Mary Ellis.

“Without doubt, they were the most notorious girl gang Britain’s ever seen.”
(Brian McDonald, Gangs of London) (more…)

Student Review: You Are Happy? at the Great Canadian Theatre Company

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Are You Happy

You Are Happy
Photo : Andrew Alexander

Reviewed by Kellie MacDonald in the theatre criticism class of Patrick Langston

Rope, razor blades, a bottle of pills — they’re not your typical punchlines, but this isn’t your typical comedy, either. Originally written in French by Rébecca Déraspe and translated in English by Leanna Brodie, You Are Happy leaves you with a sinking feeling in your gut that, as perfect as things seem, we, individually and collectively, are hurtling towards ruin. This absurd
dark comedy, directed by CBC alumnus  Adrienne Wong, opens the Great Canadian Theatre Company’s 2017-2018 season.

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Student Review: Educating Rita at the Ottawa Little Theatre – A feminist play about growing from the inside out

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Educating Rita

Photo Maria Vartanova

Reviewed by Eden Patterson in the Critcism class of P. Langston

A hairdresser walks, not into a bar, but into a university office. It’s the 80’s in Northern England. Rita (26), the hairdresser, is disappointed with her life. She longs for an education but feels the net of society’s expectations drowning her into a sea of an unhappy marriage and into the deep depths of ignorance. Frank, an old, pessimistic, student-loathing alcoholic professor finds the quick-witted and relentless Rita in his office. Over the course of many weeks, Frank guides Rita on her path to higher education and towards a final exam. However, as it is put in the show, “if you wanna change, you gotta do it from the inside.”
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PLAYWRIGHT MARCUS YOUSSEF WINS 2017 SIMINOVITCH PRIZE IN THEATRE

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Prize awarded Monday, November 6 at the National Arts Centre

November 6, 2017 – OTTAWA (Canada) – Playwright Marcus Youssef has been named the 2017 recipient of the Siminovitch Prize, Canada’s most prestigious prize in Theatre. This year marks the 17th year of the Prize, which was celebrated at a ceremony today in the Fourth Stage of the National Arts Centre, hosted by Paul Sun-Hyung Lee and Anne-Marie Cadieux. The award of $100,000 is the largest theatre prize in Canada. Mr. Youssef will receive $75,000 and Christine Quintana, whom he has chosen as his protégée, will receive $25,000.

Mr Youssef was one of four talented playwrights on this year’s shortlist, which also included Evelyne de la Chenelière, Hannah Moscovitch, and Donna-Michelle St. Bernard. (more…)

Student review: Bent is an evocative production that finds it feet towards the end

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Reviewed October 18 by Natasha Lomonossoff

TotoToo Theatre’s production of Bent at the Gladstone was a laudable effort, despite a few inconsistencies that detracted from its overall impact. Director Josh Kemp’s take on Martin Sherman’s historically significant play was most successful in establishing the dark events and atmosphere that foreground it: that is, the persecution of gays in Nazi Germany. Bringing this lesser known evil to light, the play focuses on an openly gay Berliner named Max who, along with his partner Rudy, are forced to flee the city after two Nazi guards come to their apartment with an arrest warrant for a companion they picked up at a club just the previous night. The pair embark on a fruitless journey all throughout the country to escape, as they are eventually caught and placed on a train heading towards Dachau. Unimaginable brutality and suffering only follows from there. (more…)

Student review: Opening night performance of Bent

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Reviewed by  Carly Jevcak

What starts off as a booze and drug filled night turns into hell for Max as he brings home a man wanted by the Nazis, which upends his life. The opening performance of Bent by TotoToo Theatre at the Gladstone Theatre was a harrowing experience, but that says more about the content rather than the production. After being caught by the Gestapo in 1934 Berlin for being a gay man, Max is sent to the Dachau concentration camp where the only ray of sunshine is his developing secret relationship with fellow prisoner, Horst. The men try their hardest to survive under the most trying of conditions and find ways to subvert the prying eyes of the guards.

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Past Reviews