Photo by Andrew Alexander. Hannah Kaya (Brooke) and Donna (Geneviève Sirois).
Where would we be without our stories? In more trouble, it seems, than we already are. Sories – certainly when they’re about our own lives – are how we dilute pain and celebrate the good stuff by sharing the tales with others. By sharing difficult past events we can also separate those events from ourselves enough to put them into perspective and move on.
That’s pretty much how it works in How It Works, Daniel MacIvor’s play about a dysfunctional family’s stumbling toward the light or at least toward a brighter shade of dark. And despite some problems on opening night, Plosive Productions captures well this story about stories.
MacIvor, weaving flashbacks into his narrative, tracks the increasingly complex interplay between four people: Al (David Whiteley), a cop looking for a settled life; his perceptive, beer-chugging, girlfriend Christine (Michelle LeBlanc); Al’s uptight ex, Donna (Geneviève Sirois); and Brooke, Al and Donna’s drug addicted, 19-year-old daughter (Hannah Kaya).
It’s a potent mix of characters, each damaged in his or her own way but all accessible to any theatregoer with even a modicum of self-recognition.
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